Difference between revisions of "Theory links"

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*Adorno, Theodor W., and Max Horkheimer. “The Culture Industry: Enlightenment as Mass Deception.” ''Dialectic of Enlightenment''. Trans. John Cumming. New York: Continuum, 1989: 120-67. [http://www.scribd.com/doc/3998279/The-Culture-Industry-Enlightenment-as-Mass-Deception-Adorno-Horkheimer]
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;Adorno, Theodor W., and Max Horkheimer: “The Culture Industry: Enlightenment as Mass Deception.” ''Dialectic of Enlightenment''. Trans. John Cumming. New York: Continuum, 1989: 120-67. [http://www.scribd.com/doc/3998279/The-Culture-Industry-Enlightenment-as-Mass-Deception-Adorno-Horkheimer]
*Barthes, Roland. ''Camera Lucida: Reflections on Photography''. Trans. Richard Howard. New York: Hill and Wang, 1981.
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;Barthes, Roland: ''Camera Lucida: Reflections on Photography''. Trans. Richard Howard. New York: Hill and Wang, 1981.
*–––––. Mythologies. Ed. and trans. Annette-Lavers. New York: Farrar, Straus and Giroux, 1972. Available online at: [http://www.scribd.com/doc/4612523/Mythologies-by-Roland-Barthes-as-selected-and-translated-by-Annette-Lavers].
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: Mythologies. Ed. and trans. Annette-Lavers. New York: Farrar, Straus and Giroux, 1972. Available online at: [http://www.scribd.com/doc/4612523/Mythologies-by-Roland-Barthes-as-selected-and-translated-by-Annette-Lavers].
*–––––. “Rhetoric of the Image.” ''Image – Music – Text''. Trans. Stephen Heath. New York: Hill and Wang, 1977: 32-51. Available online at: [http://korotonomedya2.googlepages.com/RolandBarthesImageMusicText.pdf].
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:“Rhetoric of the Image.” ''Image – Music – Text''. Trans. Stephen Heath. New York: Hill and Wang, 1977: 32-51. Available online at: [http://korotonomedya2.googlepages.com/RolandBarthesImageMusicText.pdf].
 
*Baudrillard, Jean. “The Precession of Simulacra.” ''Simulacra and Simulations''. Ann Arbor: U of Michigan P, 1994: 1-7. Available online at: [http://www.egs.edu/faculty/jean-baudrillard/articles/simulacra-and-simulations-i-the-precession-of-simulacra/].
 
*Baudrillard, Jean. “The Precession of Simulacra.” ''Simulacra and Simulations''. Ann Arbor: U of Michigan P, 1994: 1-7. Available online at: [http://www.egs.edu/faculty/jean-baudrillard/articles/simulacra-and-simulations-i-the-precession-of-simulacra/].
 
*Benjamin, Walter. “Surrealism: The Last Snapshot of the European Intelligentsia.” ''Reflections: Essays, Aphorisms, Autobiographical Writings''. Ed. and introd. Peter Demetz. New York: Schocken, 1978: 177-92. Available online at: [http://www.generation-online.org/c/fcsurrealism.htm].
 
*Benjamin, Walter. “Surrealism: The Last Snapshot of the European Intelligentsia.” ''Reflections: Essays, Aphorisms, Autobiographical Writings''. Ed. and introd. Peter Demetz. New York: Schocken, 1978: 177-92. Available online at: [http://www.generation-online.org/c/fcsurrealism.htm].
 
*–––––. “The Work of Art in the Age of Mechanical Reproduction.” ''Illuminations''. Ed. and Introd. Hannah Arendt. Trans. Harry Zohn. New York: Schocken, 1968: 217-51. Available online at: [http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm].
 
*–––––. “The Work of Art in the Age of Mechanical Reproduction.” ''Illuminations''. Ed. and Introd. Hannah Arendt. Trans. Harry Zohn. New York: Schocken, 1968: 217-51. Available online at: [http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm].
 
*Berger, John. Ways of Seeing. New York: Viking, 1973. Available online at: [http://www.appliedaesthetics.org/art132a/09/berger.pdf]
 
*Berger, John. Ways of Seeing. New York: Viking, 1973. Available online at: [http://www.appliedaesthetics.org/art132a/09/berger.pdf]
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;Breton, André: Manifestoes of Surrealism. Trans. Richard Seaver and Helen R. Lane. Ann Arbor: U of Michigan P, 1969. Available online at: [http://www.tcf.ua.edu/Classes/Jbutler/T340/SurManifesto/ManifestoOfSurrealism.htm].
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*Breton, André, Diego Rivera and Leon Trotsky. “Towards a Free Revolutionary Art.” ''Art in Theory 1900-1990''. Ed. Charles Harrison and Paul Wood. Oxford: Blackwell, 1992: 526-29. Available online at: [http://www.generation-online.org/c/fcsurrealism1.htm}.
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*Brook, Peter. ''The Empty Space''. New York: Touchstone/Simon & Schuster, 1968. Available online at: [http://www.scribd.com/doc/15775868/Peter-Brook-The-Empty-Space].

Revision as of 13:28, 13 May 2011

Adorno, Theodor W., and Max Horkheimer
“The Culture Industry: Enlightenment as Mass Deception.” Dialectic of Enlightenment. Trans. John Cumming. New York: Continuum, 1989: 120-67. [1]
Barthes, Roland
Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Hill and Wang, 1981.
Mythologies. Ed. and trans. Annette-Lavers. New York: Farrar, Straus and Giroux, 1972. Available online at: [2].
“Rhetoric of the Image.” Image – Music – Text. Trans. Stephen Heath. New York: Hill and Wang, 1977: 32-51. Available online at: [3].
  • Baudrillard, Jean. “The Precession of Simulacra.” Simulacra and Simulations. Ann Arbor: U of Michigan P, 1994: 1-7. Available online at: [4].
  • Benjamin, Walter. “Surrealism: The Last Snapshot of the European Intelligentsia.” Reflections: Essays, Aphorisms, Autobiographical Writings. Ed. and introd. Peter Demetz. New York: Schocken, 1978: 177-92. Available online at: [5].
  • –––––. “The Work of Art in the Age of Mechanical Reproduction.” Illuminations. Ed. and Introd. Hannah Arendt. Trans. Harry Zohn. New York: Schocken, 1968: 217-51. Available online at: [6].
  • Berger, John. Ways of Seeing. New York: Viking, 1973. Available online at: [7]
Breton, André
Manifestoes of Surrealism. Trans. Richard Seaver and Helen R. Lane. Ann Arbor: U of Michigan P, 1969. Available online at: [8].
  • Breton, André, Diego Rivera and Leon Trotsky. “Towards a Free Revolutionary Art.” Art in Theory 1900-1990. Ed. Charles Harrison and Paul Wood. Oxford: Blackwell, 1992: 526-29. Available online at: [http://www.generation-online.org/c/fcsurrealism1.htm}.
  • Brook, Peter. The Empty Space. New York: Touchstone/Simon & Schuster, 1968. Available online at: [9].