Difference between revisions of "Theory links"

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(Created page with "Adorno, Theodor W., and Max Horkheimer. “The Culture Industry: Enlightenment as Mass Deception.” ''Dialectic of Enlightenment''. Trans. John Cumming. New York: Continuum, 198...")
 
 
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Adorno, Theodor W., and Max Horkheimer. “The Culture Industry: Enlightenment as Mass Deception.” ''Dialectic of Enlightenment''. Trans. John Cumming. New York: Continuum, 1989: 120-67. [http://www.scribd.com/doc/3998279/The-Culture-Industry-Enlightenment-as-Mass-Deception-Adorno-Horkheimer]
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;Adorno, Theodor W., and Max Horkheimer: “The Culture Industry: Enlightenment as Mass Deception.” ''Dialectic of Enlightenment''. Trans. John Cumming. New York: Continuum, 1989: 120-67. [http://www.scribd.com/doc/3998279/The-Culture-Industry-Enlightenment-as-Mass-Deception-Adorno-Horkheimer]
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;Barthes, Roland:-- ''Camera Lucida: Reflections on Photography''. Trans. Richard Howard. New York: Hill and Wang, 1981.
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:--''Mythologies''. Ed. and trans. Annette-Lavers. New York: Farrar, Straus and Giroux, 1972. Available online at: [http://www.scribd.com/doc/4612523/Mythologies-by-Roland-Barthes-as-selected-and-translated-by-Annette-Lavers].
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:--“Rhetoric of the Image.” ''Image – Music – Text''. Trans. Stephen Heath. New York: Hill and Wang, 1977: 32-51. Available online at: [http://korotonomedya2.googlepages.com/RolandBarthesImageMusicText.pdf].
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;Baudrillard, Jean: “The Precession of Simulacra.” ''Simulacra and Simulations''. Ann Arbor: U of Michigan P, 1994: 1-7. Available online at: [http://www.egs.edu/faculty/jean-baudrillard/articles/simulacra-and-simulations-i-the-precession-of-simulacra/].
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;Benjamin, Walter:-- “Surrealism: The Last Snapshot of the European Intelligentsia.” ''Reflections: Essays, Aphorisms, Autobiographical Writings''. Ed. and introd. Peter Demetz. New York: Schocken, 1978: 177-92. Available online at: [http://www.generation-online.org/c/fcsurrealism.htm].
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:--“The Work of Art in the Age of Mechanical Reproduction.” ''Illuminations''. Ed. and Introd. Hannah Arendt. Trans. Harry Zohn. New York: Schocken, 1968: 217-51. Available online at: [http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm].
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;Berger, John: ''Ways of Seeing''. New York: Viking, 1973. Available online at: [http://www.appliedaesthetics.org/art132a/09/berger.pdf]
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;Breton, André: Manifestoes of Surrealism. Trans. Richard Seaver and Helen R. Lane. Ann Arbor: U of Michigan P, 1969. Available online at: [http://www.tcf.ua.edu/Classes/Jbutler/T340/SurManifesto/ManifestoOfSurrealism.htm].
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;Breton, André, Diego Rivera and Leon Trotsky: “Towards a Free Revolutionary Art.” ''Art in Theory 1900-1990''. Ed. Charles Harrison and Paul Wood. Oxford: Blackwell, 1992: 526-29. Available online at: [http://www.generation-online.org/c/fcsurrealism1.htm].
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;Brook, Peter: ''The Empty Space''. New York: Touchstone/Simon & Schuster, 1968. Available online at: [http://www.scribd.com/doc/15775868/Peter-Brook-The-Empty-Space].
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;Debord, Guy: ''Society of the Spectacle''. Trans. Donald Nicholson-Smith. New York: Zone, 1994. Available online at: [http://www.bopsecrets.org/SI/debord/].
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;Freud, Sigmund: ''Beyond the Pleasure Principle''. Ed. and trans. James Strachey. Intro. Gregory Zilboorg. Biographical Intro. Peter Gay. New York/London: Norton, 1961. Available online at: [http://www.archive.org/details/beyondthepleasur007393mbp].
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;Kant, Immanuel: “Analytic of the Sublime.” ''Critique of Judgment''. Trans. and Introd. Werner S. Pluhar. Foreword Mary J. Gregor. Indianapolis: Hackett, 1987: 97-140. Available online at: [http://ebooks.adelaide.edu.au/k/kant/immanuel/k16j/#SS25].
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;Lacan, Jacques: “Tuché and Automaton.” ''The Four Fundamental Concepts of Psychoanalysis. The Seminar of Jacques Lacan Book XI''. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York/London: Norton, 1978: 53-64. [http://www.scribd.com/doc/23963157/Lacan-The-Four-Fundamental-Concepts-of-Psychoanalysis].
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;Mulvey, Laura: “Visual Pleasure and Narrative Cinema.” ''Film Theory and Criticism: Introductory Readings''. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999: 833-44. Available online at: [http://terpconnect.umd.edu/~mquillig/20050131mulvey.pdf].
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;Sartre, Jean-Paul: “What Is Literature?” and Other Essays. Introd. Steven Ungar. Cambridge, MA: Harvard UP, 1988. Availavle online at: [http://www.scribd.com/doc/12238868/Sartre-What-is-Literature].

Latest revision as of 13:40, 13 May 2011

Adorno, Theodor W., and Max Horkheimer
“The Culture Industry: Enlightenment as Mass Deception.” Dialectic of Enlightenment. Trans. John Cumming. New York: Continuum, 1989: 120-67. [1]
Barthes, Roland
-- Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Hill and Wang, 1981.
--Mythologies. Ed. and trans. Annette-Lavers. New York: Farrar, Straus and Giroux, 1972. Available online at: [2].
--“Rhetoric of the Image.” Image – Music – Text. Trans. Stephen Heath. New York: Hill and Wang, 1977: 32-51. Available online at: [3].
Baudrillard, Jean
“The Precession of Simulacra.” Simulacra and Simulations. Ann Arbor: U of Michigan P, 1994: 1-7. Available online at: [4].
Benjamin, Walter
-- “Surrealism: The Last Snapshot of the European Intelligentsia.” Reflections: Essays, Aphorisms, Autobiographical Writings. Ed. and introd. Peter Demetz. New York: Schocken, 1978: 177-92. Available online at: [5].
--“The Work of Art in the Age of Mechanical Reproduction.” Illuminations. Ed. and Introd. Hannah Arendt. Trans. Harry Zohn. New York: Schocken, 1968: 217-51. Available online at: [6].
Berger, John
Ways of Seeing. New York: Viking, 1973. Available online at: [7]
Breton, André
Manifestoes of Surrealism. Trans. Richard Seaver and Helen R. Lane. Ann Arbor: U of Michigan P, 1969. Available online at: [8].
Breton, André, Diego Rivera and Leon Trotsky
“Towards a Free Revolutionary Art.” Art in Theory 1900-1990. Ed. Charles Harrison and Paul Wood. Oxford: Blackwell, 1992: 526-29. Available online at: [9].
Brook, Peter
The Empty Space. New York: Touchstone/Simon & Schuster, 1968. Available online at: [10].
Debord, Guy
Society of the Spectacle. Trans. Donald Nicholson-Smith. New York: Zone, 1994. Available online at: [11].
Freud, Sigmund
Beyond the Pleasure Principle. Ed. and trans. James Strachey. Intro. Gregory Zilboorg. Biographical Intro. Peter Gay. New York/London: Norton, 1961. Available online at: [12].
Kant, Immanuel
“Analytic of the Sublime.” Critique of Judgment. Trans. and Introd. Werner S. Pluhar. Foreword Mary J. Gregor. Indianapolis: Hackett, 1987: 97-140. Available online at: [13].
Lacan, Jacques
“Tuché and Automaton.” The Four Fundamental Concepts of Psychoanalysis. The Seminar of Jacques Lacan Book XI. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York/London: Norton, 1978: 53-64. [14].
Mulvey, Laura
“Visual Pleasure and Narrative Cinema.” Film Theory and Criticism: Introductory Readings. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999: 833-44. Available online at: [15].
Sartre, Jean-Paul
“What Is Literature?” and Other Essays. Introd. Steven Ungar. Cambridge, MA: Harvard UP, 1988. Availavle online at: [16].
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