Difference between revisions of "Theory links"
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;Freud, Sigmund: ''Beyond the Pleasure Principle''. Ed. and trans. James Strachey. Intro. Gregory Zilboorg. Biographical Intro. Peter Gay. New York/London: Norton, 1961. Available online at: [http://www.archive.org/details/beyondthepleasur007393mbp]. | ;Freud, Sigmund: ''Beyond the Pleasure Principle''. Ed. and trans. James Strachey. Intro. Gregory Zilboorg. Biographical Intro. Peter Gay. New York/London: Norton, 1961. Available online at: [http://www.archive.org/details/beyondthepleasur007393mbp]. | ||
;Kant, Immanuel: “Analytic of the Sublime.” ''Critique of Judgment''. Trans. and Introd. Werner S. Pluhar. Foreword Mary J. Gregor. Indianapolis: Hackett, 1987: 97-140. Available online at: [http://ebooks.adelaide.edu.au/k/kant/immanuel/k16j/#SS25]. | ;Kant, Immanuel: “Analytic of the Sublime.” ''Critique of Judgment''. Trans. and Introd. Werner S. Pluhar. Foreword Mary J. Gregor. Indianapolis: Hackett, 1987: 97-140. Available online at: [http://ebooks.adelaide.edu.au/k/kant/immanuel/k16j/#SS25]. | ||
+ | ;Lacan, Jacques; “Tuché and Automaton.” ''The Four Fundamental Concepts of Psychoanalysis. The Seminar of Jacques Lacan Book XI''. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York/London: Norton, 1978: 53-64. [http://www.scribd.com/doc/23963157/Lacan-The-Four-Fundamental-Concepts-of-Psychoanalysis]. | ||
+ | ;Mulvey, Laura: “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism: Introductory Readings. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999: 833-44. Available online at: [http://terpconnect.umd.edu/~mquillig/20050131mulvey.pdf]. | ||
+ | ;Sartre, Jean-Paul: “What Is Literature?” and Other Essays. Introd. Steven Ungar. Cambridge, MA: Harvard UP, 1988. Availavle online at: [http://www.scribd.com/doc/12238868/Sartre-What-is-Literature]. |
Revision as of 13:38, 13 May 2011
- Adorno, Theodor W., and Max Horkheimer
- “The Culture Industry: Enlightenment as Mass Deception.” Dialectic of Enlightenment. Trans. John Cumming. New York: Continuum, 1989: 120-67. [1]
- Barthes, Roland
- Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Hill and Wang, 1981.
- Mythologies. Ed. and trans. Annette-Lavers. New York: Farrar, Straus and Giroux, 1972. Available online at: [2].
- “Rhetoric of the Image.” Image – Music – Text. Trans. Stephen Heath. New York: Hill and Wang, 1977: 32-51. Available online at: [3].
- Baudrillard, Jean
- “The Precession of Simulacra.” Simulacra and Simulations. Ann Arbor: U of Michigan P, 1994: 1-7. Available online at: [4].
- Benjamin, Walter
- “Surrealism: The Last Snapshot of the European Intelligentsia.” Reflections: Essays, Aphorisms, Autobiographical Writings. Ed. and introd. Peter Demetz. New York: Schocken, 1978: 177-92. Available online at: [5].
- “The Work of Art in the Age of Mechanical Reproduction.” Illuminations. Ed. and Introd. Hannah Arendt. Trans. Harry Zohn. New York: Schocken, 1968: 217-51. Available online at: [6].
- Berger, John
- Ways of Seeing. New York: Viking, 1973. Available online at: [7]
- Breton, André
- Manifestoes of Surrealism. Trans. Richard Seaver and Helen R. Lane. Ann Arbor: U of Michigan P, 1969. Available online at: [8].
- Breton, André, Diego Rivera and Leon Trotsky
- “Towards a Free Revolutionary Art.” Art in Theory 1900-1990. Ed. Charles Harrison and Paul Wood. Oxford: Blackwell, 1992: 526-29. Available online at: [9].
- Brook, Peter
- The Empty Space. New York: Touchstone/Simon & Schuster, 1968. Available online at: [10].
- Debord, Guy
- Society of the Spectacle. Trans. Donald Nicholson-Smith. New York: Zone, 1994. Available online at: [11].
- Freud, Sigmund
- Beyond the Pleasure Principle. Ed. and trans. James Strachey. Intro. Gregory Zilboorg. Biographical Intro. Peter Gay. New York/London: Norton, 1961. Available online at: [12].
- Kant, Immanuel
- “Analytic of the Sublime.” Critique of Judgment. Trans. and Introd. Werner S. Pluhar. Foreword Mary J. Gregor. Indianapolis: Hackett, 1987: 97-140. Available online at: [13].
- Lacan, Jacques; “Tuché and Automaton.” The Four Fundamental Concepts of Psychoanalysis. The Seminar of Jacques Lacan Book XI. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York/London
- Norton, 1978: 53-64. [14].
- Mulvey, Laura
- “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism: Introductory Readings. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999: 833-44. Available online at: [15].
- Sartre, Jean-Paul
- “What Is Literature?” and Other Essays. Introd. Steven Ungar. Cambridge, MA: Harvard UP, 1988. Availavle online at: [16].