http://ling.creoliste.fr/api.php?action=feedcontributions&feedformat=atom&user=WikiSysop 2026-04-14T15:50:58Z User contributions MediaWiki 1.28.0 http://ling.creoliste.fr/index.php?title=Reading_room&diff=9608 2024-11-14T18:17:47Z

<p>WikiSysop: /* humour */</p> <hr /> <div>:&quot;Asking Eric: How do I get over the guilt of [https://www.washingtonpost.com/advice/2024/07/10/asking-eric-ghosting-friend-guilt/ ghosting a friend]?&quot;<br /> :[https://www.todayonline.com/singapore/explainers-crows-attack-people-manage-population-2134406 Crow attacks in Singapore]<br /> :Cathy Free, &quot;Inspired Life -- He makes [https://www.washingtonpost.com/lifestyle/2024/07/09/thomas-dambo-trash-troll-artist/ giant trolls] out of trash, hides them in woods for people to find&quot;, ''Washington Post'', 9 July 2024.<br /> :John McWhorter, &quot;[https://aeon.co/essays/why-is-english-so-weirdly-different-from-other-languages English is not Normal],&quot; ''Aeon'', 2015.<br /> <br /> ==humour==<br /> &lt;html5media&gt;https://www.youtube.com/watch?v=J5eoSQLIQvI&lt;/html5media&gt;<br /> :Autocorrect gone horribly wrong</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Reading_room&diff=9607 2024-11-14T18:03:13Z

<p>WikiSysop: /* humour */</p> <hr /> <div>:&quot;Asking Eric: How do I get over the guilt of [https://www.washingtonpost.com/advice/2024/07/10/asking-eric-ghosting-friend-guilt/ ghosting a friend]?&quot;<br /> :[https://www.todayonline.com/singapore/explainers-crows-attack-people-manage-population-2134406 Crow attacks in Singapore]<br /> :Cathy Free, &quot;Inspired Life -- He makes [https://www.washingtonpost.com/lifestyle/2024/07/09/thomas-dambo-trash-troll-artist/ giant trolls] out of trash, hides them in woods for people to find&quot;, ''Washington Post'', 9 July 2024.<br /> :John McWhorter, &quot;[https://aeon.co/essays/why-is-english-so-weirdly-different-from-other-languages English is not Normal],&quot; ''Aeon'', 2015.<br /> <br /> ==humour==<br /> &lt;html5media&gt;https://www.youtube.com/watch?v=J5eoSQLIQvI&lt;/html5media&gt;<br /> ; Autocorrect gone horribly wrong</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Reading_room&diff=9606 2024-11-14T18:02:31Z

<p>WikiSysop: /* humour */</p> <hr /> <div>:&quot;Asking Eric: How do I get over the guilt of [https://www.washingtonpost.com/advice/2024/07/10/asking-eric-ghosting-friend-guilt/ ghosting a friend]?&quot;<br /> :[https://www.todayonline.com/singapore/explainers-crows-attack-people-manage-population-2134406 Crow attacks in Singapore]<br /> :Cathy Free, &quot;Inspired Life -- He makes [https://www.washingtonpost.com/lifestyle/2024/07/09/thomas-dambo-trash-troll-artist/ giant trolls] out of trash, hides them in woods for people to find&quot;, ''Washington Post'', 9 July 2024.<br /> :John McWhorter, &quot;[https://aeon.co/essays/why-is-english-so-weirdly-different-from-other-languages English is not Normal],&quot; ''Aeon'', 2015.<br /> <br /> ==humour==<br /> &lt;html5media&gt;https://www.youtube.com/watch?v=J5eoSQLIQv&lt;/html5media&gt;<br /> ; Autocorrect gone horribly wrong</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Reading_room&diff=9605 2024-11-14T17:56:51Z

<p>WikiSysop: </p> <hr /> <div>:&quot;Asking Eric: How do I get over the guilt of [https://www.washingtonpost.com/advice/2024/07/10/asking-eric-ghosting-friend-guilt/ ghosting a friend]?&quot;<br /> :[https://www.todayonline.com/singapore/explainers-crows-attack-people-manage-population-2134406 Crow attacks in Singapore]<br /> :Cathy Free, &quot;Inspired Life -- He makes [https://www.washingtonpost.com/lifestyle/2024/07/09/thomas-dambo-trash-troll-artist/ giant trolls] out of trash, hides them in woods for people to find&quot;, ''Washington Post'', 9 July 2024.<br /> :John McWhorter, &quot;[https://aeon.co/essays/why-is-english-so-weirdly-different-from-other-languages English is not Normal],&quot; ''Aeon'', 2015.<br /> <br /> ==humour==<br /> [https://www.youtube.com/watch?v=J5eoSQLIQv Autocorrect gone horribly wrong]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Inner_City_Blues&diff=9604 2024-09-20T07:53:08Z

<p>WikiSysop: </p> <hr /> <div>Originally from Marvin Gaye's 1971 album ''What's Going On'', the song was co-written by James Nyx, Jr.<br /> <br /> Gil Scott Heron's augmented version is from his 1981 ''Reflections'' album and mixes in the story of a siege of New Orleans.<br /> <br /> &lt;html5media&gt;https://www.youtube.com/watch?v=ZX7TpAFFzf8&lt;/html5media&gt;<br /> <br /> &lt;p&gt;Rockets and moon shots&lt;br&gt;<br /> and blame it on the have-nots&lt;br&gt;<br /> Money, we made it&lt;br&gt;<br /> yeah but before we see it, they take it&lt;/p&gt;<br /> <br /> &lt;p&gt;Yes it make you wanna holler right on&lt;br&gt;<br /> The way they do your life&lt;br&gt;<br /> Make you wanna holler right on&lt;br&gt;<br /> The way they do your life&lt;/p&gt;<br /> <br /> &lt;p&gt;Inflation means there ain' no chance&lt;br&gt;<br /> To increase a little bit of finance&lt;br&gt;<br /> Bills they gonna pile up t' sky &lt;br&gt;<br /> And send that boy on to die&lt;/p&gt;<br /> <br /> &lt;p&gt;Yes, it make you wanna holler right on&lt;br&gt;<br /> The way they do your life&lt;br&gt;<br /> Make you wanna holler right on&lt;br&gt;<br /> The way they do your life&lt;/p&gt;<br /> <br /> &lt;p&gt;Now hang-ups and letdown&lt;br&gt;<br /> And bad breaks and setbacks&lt;br&gt;<br /> The natural, natural, fact is&lt;br&gt;<br /> oh baby, that I can't pay no taxes&lt;/p&gt;<br /> <br /> &lt;p&gt;yes it make me wanna holler some time&lt;br&gt;<br /> And throw up both my hands&lt;br&gt;<br /> It make me wanna holler some time&lt;br&gt;<br /> And throw up both my hands&lt;/p&gt;<br /> <br /> &lt;p&gt;So you say you never heard of the inner city blues&lt;br&gt;<br /> and what's more you don't understand it all&lt;br&gt;<br /> what the ghetto people mean &lt;br&gt;<br /> when they say &quot;living behind walls&quot;&lt;/p&gt;<br /> <br /> &lt;p&gt;Well then put on your best suit, white shirt and tie&lt;br&gt;<br /> and run on downtown to stand in line for &lt;br&gt;<br /> a job washing dishes that you may not qualify&lt;br&gt;<br /> walk a big hole in a brand new pair of shoes&lt;br&gt;<br /> and you've had your first look at the inner city blues&lt;/p&gt;<br /> <br /> &lt;p&gt;Go lookin for a place to live and all the while remember&lt;br&gt;<br /> what lurks behind the Devil's smile&lt;br&gt;<br /> are we stupid our just naïve that we continue to believe&lt;br&gt;<br /> money can buy us anything,&lt;br&gt;<br /> including a slice of the American dream?&lt;/p&gt;<br /> <br /> &lt;p&gt;Yeah, answer ads in the paper about houses for sale &lt;br&gt;<br /> and get treated like Charles Manson out on bail.&lt;br&gt;<br /> When you start to get frustrated by the tactics they use &lt;br&gt;<br /> you'll recognize the feeling: it's the inner city blues,&lt;br&gt;<br /> yeah make you wanna holler some time&lt;br&gt;<br /> throw up both of your hands&lt;/p&gt;<br /> <br /> &lt;p&gt;Haven't you ever wondered about why&lt;br&gt;<br /> some brothers and sisters were down &amp; out?&lt;br&gt;<br /> Receiving their sympathy &lt;br&gt;<br /> from a bottle of wine or worse yet 'oral homicide'&lt;br&gt;<br /> living their lives in a glycine bag &lt;br&gt;<br /> or praising the mysteries of terminal scag&lt;br&gt; <br /> some of our brothers parading in drag &lt;br&gt;<br /> another set of victims too whipped to choose&lt;/p&gt;<br /> <br /> &lt;p&gt;yeah you can recognize that &lt;br&gt;<br /> that's the 'inner city blues'&lt;br&gt;<br /> makes you wanna holler sometimes&lt;br&gt;<br /> and throw up both your hands&lt;/p&gt;<br /> <br /> &lt;p&gt;To see sleek sisters, the blossoms of our African tree,&lt;br&gt;<br /> profilin' on the corner, talkin' 'bout 'ten and three' &lt;br&gt;<br /> because in spite of all the money we made, and taxes we paid&lt;br&gt;<br /> the woman was looking at hungry babes and some decisions had to be made.&lt;/p&gt;<br /> <br /> &lt;p&gt;Coz' you tell us:&lt;br&gt;<br /> &quot;it's better go to your grave&lt;br&gt;<br /> as a slave with a minimum wage&quot;&lt;br&gt;<br /> well, I hardly think so&lt;br&gt;<br /> but it makes you wanna holler sometimes&lt;br&gt;<br /> and throw up both your hands&lt;/p&gt;<br /> <br /> &lt;p&gt;what happens when people start to feel they have&lt;br&gt;<br /> nothing to lose (Uncle Sam wants you)&lt;br&gt;<br /> nothing to lose (Uncle Sam wants you)&lt;br&gt;<br /> nothing to lose (for target practice)&lt;br&gt;<br /> nothing to lose (for target practice)&lt;/p&gt;<br /> <br /> &lt;p&gt;Did you ever hear about [https://en.wikipedia.org/wiki/Mark_Essex Mark Essex]&lt;br&gt;<br /> and the things that made him choose &lt;br&gt;<br /> to fight the inner city blues?&lt;/p&gt;<br /> <br /> &lt;p&gt;Yeah Essex took to the rooftops guerilla-style&lt;br&gt;<br /> and watched while all the crackers went wild&lt;br&gt;<br /> brought in 600 troops out here brand new&lt;br&gt;<br /> to see them crushed with fear.&lt;br&gt;<br /> Essex fought back with a thousand rounds &lt;br&gt;<br /> and New Orleans was a changing town &lt;br&gt;<br /> and ratatattattattat was the only sound, yeah&lt;/p&gt;<br /> <br /> &lt;p&gt;bring on the stoner rifles &lt;br&gt;<br /> &amp;nbsp;&amp;nbsp; to knock down walls&lt;br&gt;<br /> bring on the elephant guns &lt;br&gt;<br /> bring on the helicopters &lt;br&gt;<br /> &amp;nbsp;&amp;nbsp; to block out the sun&lt;/p&gt;<br /> <br /> &lt;p&gt;yeah, made the Devil wanna holler&lt;br&gt;<br /> coz 8 was dead and a dozen was down&lt;br&gt;<br /> and cries for freedom or a brand new sound&lt;br&gt;<br /> New York, Chicago, 'Frisco, LA.&lt;br&gt;<br /> Justice was served and the unjust were afraid&lt;br&gt;<br /> that after all the years and all the fears&lt;br&gt;<br /> brothers were alive, the courage found&lt;br&gt;<br /> and spreadin them goddam blues around&lt;br&gt;<br /> Yeah, make you want to holler 'black people'&lt;br&gt;<br /> and hold up both your hands and say 'liberation!'&lt;/p&gt;<br /> <br /> &lt;p&gt;Crime is increasin'&lt;br&gt;<br /> Trigger-happy policin'&lt;br&gt;<br /> Panic is, panic is spreading&lt;br&gt;<br /> and Lord knows where we're heading&lt;/p&gt;<br /> <br /> &lt;p&gt;Yes, it make you wanna holler sometimes&lt;br&gt;<br /> and throw up both of your hands.&lt;br&gt;<br /> Make you wanna holler some time &lt;br&gt;<br /> and throw up'n both of your hands.&lt;br&gt;<br /> Throw up both your hands (x5)&lt;br&gt;<br /> Throw up both your hands, hands, hands.&lt;/p&gt;<br /> <br /> <br /> <br /> Lyrics: Gil Scott Heron, James Nyx Jr, Marvin Gaye<br /> <br /> [[Category:Music]]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=En-WP:ER&diff=9603 2024-09-04T13:55:16Z

<p>WikiSysop: Created page with &quot;[https://archive.is/wip/PoRJJ example]&quot;</p> <hr /> <div>[https://archive.is/wip/PoRJJ example]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Reading_room&diff=9602 2024-07-10T15:03:33Z

<p>WikiSysop: </p> <hr /> <div>:&quot;Asking Eric: How do I get over the guilt of [https://www.washingtonpost.com/advice/2024/07/10/asking-eric-ghosting-friend-guilt/ ghosting a friend]?&quot;<br /> :[https://www.todayonline.com/singapore/explainers-crows-attack-people-manage-population-2134406 Crow attacks in Singapore]<br /> :Cathy Free, &quot;Inspired Life -- He makes [https://www.washingtonpost.com/lifestyle/2024/07/09/thomas-dambo-trash-troll-artist/ giant trolls] out of trash, hides them in woods for people to find&quot;, ''Washington Post'', 9 July 2024.<br /> :John McWhorter, &quot;[https://aeon.co/essays/why-is-english-so-weirdly-different-from-other-languages English is not Normal],&quot; ''Aeon'', 2015.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Reading_room&diff=9601 2024-07-10T14:34:02Z

<p>WikiSysop: </p> <hr /> <div>:[https://www.todayonline.com/singapore/explainers-crows-attack-people-manage-population-2134406 Crow attacks in Singapore]<br /> :Cathy Free, &quot;Inspired Life -- He makes [https://www.washingtonpost.com/lifestyle/2024/07/09/thomas-dambo-trash-troll-artist/ giant trolls] out of trash, hides them in woods for people to find&quot;, ''Washington Post'', 9 July 2024.<br /> :John McWhorter, &quot;[https://aeon.co/essays/why-is-english-so-weirdly-different-from-other-languages English is not Normal],&quot; ''Aeon'', 2015.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Reading_room&diff=9600 2024-07-10T14:33:43Z

<p>WikiSysop: </p> <hr /> <div>;[https://www.todayonline.com/singapore/explainers-crows-attack-people-manage-population-2134406 Crow attacks in Singapore]<br /> ;Cathy Free, &quot;Inspired Life -- He makes [https://www.washingtonpost.com/lifestyle/2024/07/09/thomas-dambo-trash-troll-artist/ giant trolls] out of trash, hides them in woods for people to find&quot;, ''Washington Post'', 9 July 2024.<br /> ;John McWhorter, &quot;[https://aeon.co/essays/why-is-english-so-weirdly-different-from-other-languages English is not Normal],&quot; ''Aeon'', 2015.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Reading_room&diff=9599 2024-07-10T14:33:24Z

<p>WikiSysop: </p> <hr /> <div>;[https://www.todayonline.com/singapore/explainers-crows-attack-people-manage-population-2134406 Crow attacks in Singapore]<br /> ;Cathy Free, &quot;Inspired Life: He makes [https://www.washingtonpost.com/lifestyle/2024/07/09/thomas-dambo-trash-troll-artist/ giant trolls] out of trash, hides them in woods for people to find&quot;, ''Washington Post'', 9 July 2024.<br /> ;John McWhorter, &quot;[https://aeon.co/essays/why-is-english-so-weirdly-different-from-other-languages English is not Normal],&quot; ''Aeon'', 2015.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Over&diff=9598 2024-06-25T17:06:12Z

<p>WikiSysop: /* Preposition: over vs. above */</p> <hr /> <div>French translations of this preposition, prefix, verbal &amp; nominal particle: &lt;i&gt;au-dessus de, chez soi, re-, par-, encore, sur-, dé-, trans-&lt;/i&gt;. Preceding a number in a noun phrase, &quot;over&quot; is translated as &lt;i&gt;plus de&lt;/i&gt;<br /> <br /> =Preposition / Adverb=<br /> <br /> ==Situatives==<br /> <br /> &lt;i&gt;The following is a &lt;u&gt;prepositional&lt;/u&gt; use, not a situational one:&lt;/i&gt;<br /> *I walked &lt;u&gt;over&lt;/u&gt; the bridge. (prep.) (&lt;i&gt;j'ai traversé le pont.&lt;/i&gt;)<br /> &lt;br&gt;<br /> <br /> &lt;i&gt;These examples are &lt;span style=&quot;color:maroon;&quot;&gt;situative&lt;/span&gt;&lt;/i&gt;:<br /> *I walked &lt;u&gt;over&lt;/u&gt; to his office. (adv. / situative) (situatives are words like &quot;here&quot; or &quot;there&quot;)<br /> *I just walked &lt;u&gt;over&lt;/u&gt;. (adv. / situative) <br /> *I just walked the dog &lt;u&gt;over&lt;/u&gt;. (adv. / situative) <br /> &lt;br&gt;<br /> &lt;i&gt;The following is idiomatic:&lt;/i&gt;<br /> *I just ran &lt;u&gt;over&lt;/u&gt; the dog. (prep./part.) (&lt;i&gt;J'ai écrasé le chien avec la voiture.&lt;/i&gt;)<br /> <br /> ==Preposition: over vs. above==<br /> <br /> Unsurprisingly [https://www.etymonline.com/search?q=over over] and [https://www.etymonline.com/search?q=above above] are related etymologically. <br /> <br /> *Somewhere over the rainbow, way up high...<br /> <br /> Everyone knows Dorothy's song from the movie &lt;i&gt;Wizard of Oz&lt;/i&gt; (1939). (movie version of Frank Baum, &lt;i&gt;[http://www.gutenberg.org/ebooks/55 The Wonderful Wizard of Oz]&lt;/i&gt;, 1900) <br /> <br /> A photographer I've met in Paris even named her blog &quot;Somewhere over my rainbow&quot;.<br /> <br /> &lt;i&gt;over&lt;/i&gt; has the sense of &lt;u&gt;beyond&lt;/u&gt; (&lt;i&gt;au délà de&lt;/i&gt;). Like beyond, &quot;over&quot; encompasses a lot of space, all the space above the rainbow. &quot;Somewhere &lt;i&gt;above&lt;/i&gt; the rainbow&quot; does not imply all the space above, just a point vertically above it in space. Imagine a transatlantic flight from Helsinki to New York:<br /> <br /> *weird: First, we flew above the North Sea, then above the North Atlantic<br /> *normal: First, we flew over the North Sea then over the North Atlantic.<br /> <br /> The Old English adjective 'uffera' influenced the evolution of the meaning of the word, which by the 14th century had acquired the senses &quot;past, done, finished; through the whole extent, from beginning to end&quot;.. The sense of &quot;so as to cover the whole surface&quot;.<br /> <br /> Over is used in verb + particle combinations and often adds the notion of completeness, above is just a point in space that is vertically higher...<br /> <br /> When used together [https://www.wordreference.com/enfr/over%20and%20above over and above] means &quot;in addition to&quot; or &quot;beyond&quot;.<br /> <br /> ==Adverb: over // through // again==<br /> It is possible to repeat all three of these words:<br /> <br /> *over and over (&lt;i&gt;encore et encore&lt;/i&gt;)<br /> *again and again (&lt;i&gt;encore et encore, de façon identique&lt;/i&gt;)<br /> *through and through (completely)<br /> <br /> The difference between &lt;u&gt;over&lt;/u&gt; and &lt;u&gt;again&lt;/u&gt; is that when you &lt;u&gt;do&lt;/u&gt; something &lt;u&gt;over&lt;/u&gt; you may be applying what you learned from the previous attempt.<br /> When you &lt;u&gt;do&lt;/u&gt; something &lt;u&gt;again&lt;/u&gt;, you repeat the action without change. The two are interchangeable, though.<br /> &lt;br&gt;&lt;br&gt;<br /> With many verbs (look, read, walk, run, go&lt;sup&gt;1&lt;/sup&gt;, etc.) &quot;through&quot; and &quot;over&quot; have the same meaning (or almost). They are virtually interchangeable.<br /> &lt;br&gt;&lt;br&gt;<br /> However, &quot;again&quot; and &quot;through&quot; are &lt;b&gt;not&lt;/b&gt; interchangeable. <br /> &lt;hr&gt;<br /> &lt;sup&gt;1&lt;/sup&gt;Note however that when &quot;go&quot; refers to physical motion, rather than an abstract process, the two are definitely not interchangeable! (both may well be translated by &lt;i&gt;traverser&lt;/i&gt; in French, however.)<br /> *I went (over / *through) the bridge.<br /> *The tunnel goes (*over / through) the mountain.<br /> <br /> =Comparative=<br /> <br /> A synonym for &quot;more than&quot;. The opposite of &lt;i&gt;under&lt;/i&gt;: e.g. Over 50% of the senators voted for the measure. That old car has over 700,000 ki&lt;b&gt;lo&lt;/b&gt;meters on the o&lt;b&gt;do&lt;/b&gt;meter.<br /> <br /> Also used with the verb &lt;i&gt;prefer&lt;/i&gt; in some dialects and registers (&lt;i&gt;to&lt;/i&gt; is universally accepted as grammatical, &lt;i&gt;over&lt;/i&gt; is not). e.g. I prefer butter over margarine.<br /> <br /> =Prefix=<br /> Le préfixe est très productif:<br /> <br /> *overbearing (&lt;span style=&quot;color:maroon&quot;&gt;adj.&lt;/span&gt;) -- &lt;i&gt;autoritaire, dominateur&lt;/i&gt;<br /> <br /> *overboard (&lt;span style=&quot;color:maroon&quot;&gt;adv. / sit.&lt;/span&gt;)-- &lt;i&gt;par-dessus bord&lt;/i&gt; (Man overboard! = &lt;i&gt;homme à la mer&lt;/i&gt;)<br /> <br /> *overblown (&lt;span style=&quot;color:maroon&quot;&gt;pp. --&gt; adj.&lt;/span&gt;) -- &lt;i&gt;pompeux, excessif, boursouflé, ampoulé&lt;/i&gt;<br /> <br /> *overclock(ing) / (-ed) (&lt;span style=&quot;color:maroon&quot;&gt;v., adj.&lt;/span&gt;)-- &lt;i&gt;processeur qui tourne au-dessus du taux prévu par le fabricant&lt;/i&gt;<br /> <br /> *overcom(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v., past / pres. part.&lt;/span&gt;)-- &lt;i&gt;dépasser, surpasser&lt;/i&gt;<br /> <br /> *overheat(ed) (&lt;span style=&quot;color:maroon&quot;&gt;v., past part. --&gt; adj.&lt;/span&gt;) -- &lt;i&gt;surchauffer, surchauffé&lt;/i&gt;, overheated argumentation: &lt;i&gt;une argumentation trop passionnée&lt;/i&gt;)<br /> <br /> *overlap(ping) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;se chevaucher, empiéter sur&lt;/i&gt;<br /> <br /> *overly (&lt;span style=&quot;color:maroon&quot;&gt;deg adv. / mod.&lt;/span&gt;) -- almost exculsively negative: &quot;not overly&quot; -- &lt;i&gt;(pas) trop N&lt;/i&gt; (adverb of degree)<br /> <br /> *overlook(ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- miss out, &lt;i&gt;surplombant&lt;/i&gt;<br /> <br /> *overrid(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v., n.&lt;/span&gt;) -- supercede, &lt;i&gt;outrepasser&lt;/i&gt; [http://oald8.oxfordlearnersdictionaries.com/dictionary/override oxford]<br /> <br /> *overrul(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- reverse a lower court ruling [http://oald8.oxfordlearnersdictionaries.com/dictionary/overrule oxford]<br /> <br /> <br /> *oversee(ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;surveiller / gérer de loin&lt;/i&gt; / manage from afar / steer (&lt;i&gt;piloter&lt;/i&gt;): Cf. overseer @ [https://www.google.fr/search?q=overseer&amp;hl=en&amp;source=lnms&amp;tbm=isch gogl-img]<br /> <br /> *oversight (&lt;span style=&quot;color:maroon&quot;&gt;past part. -&gt; n.&lt;/span&gt;) -- 1) mistake, &lt;i&gt;erreur d'inattention&lt;/i&gt; 2) &lt;i&gt;pilotage&lt;/i&gt;<br /> <br /> *overtak(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;dépasser, doubler&lt;/i&gt;<br /> <br /> *overwhelm (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;déborder, submerger, accabler&lt;/i&gt;<br /> <br /> &lt;br&gt;<br /> &lt;hr&gt;<br /> &lt;br&gt;<br /> une liste complementaire et plus complète à laquelle j'ai un peu collaboré chez [http://agreg-ink.net/index.php?title=Mots_Commençant_par_Over agregink]<br /> <br /> =NP adjectives / adverbs=<br /> <br /> *An over-the-counter (OTC) drug can be bought without a prescription.<br /> *That &lt;abbr title=&quot;ensemble (vêtements), toilette&quot;&gt;outfit&lt;/abbr&gt; is &lt;abbr title=&quot;a bit crazy&quot;&gt;over the top&lt;/abbr&gt;.<br /> *They're &lt;abbr title=&quot;past middle age // old&quot;&gt;over&lt;/abbr&gt; the hill.<br /> <br /> =Particle=<br /> *think (STH) over (STH): &lt;i&gt;réfléchir en profondeur&lt;/i&gt;<br /> *go (*STH) over (STH): &lt;i&gt;parcourir&lt;/i&gt;, &lt;i&gt;répéter&lt;/i&gt;<br /> &lt;br&gt;<br /> <br /> *do it over = redo it (from the beginning to the end, but correcting any mistakes. &quot;Do it again&quot; on the other hand suggests repeating the same action without any changes.)<br /> *read it over: ambiguous: &lt;i&gt;le relire&lt;/i&gt; &lt;b&gt;ou&lt;/b&gt; &lt;i&gt;le parcourir&lt;/i&gt;.<br /> &lt;br&gt;<br /> <br /> *get over it: &lt;i&gt;s'en remettre&lt;/i&gt; <br /> *get it over with: &lt;i&gt;accomplir / subir un acte peu réjouissant&lt;/i&gt;<br /> *get it done with: &lt;i&gt;même sens (plus rare)&lt;/i&gt;<br /> &lt;br&gt;<br /> <br /> *make-over<br /> *take-over: &lt;i&gt;prise de pouvoir, prise de contrôle&lt;/i&gt;<br /> <br /> <br /> <br /> [[Category:100-en]]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Over&diff=9597 2024-06-25T16:57:42Z

<p>WikiSysop: /* Preposition: over vs. above */</p> <hr /> <div>French translations of this preposition, prefix, verbal &amp; nominal particle: &lt;i&gt;au-dessus de, chez soi, re-, par-, encore, sur-, dé-, trans-&lt;/i&gt;. Preceding a number in a noun phrase, &quot;over&quot; is translated as &lt;i&gt;plus de&lt;/i&gt;<br /> <br /> =Preposition / Adverb=<br /> <br /> ==Situatives==<br /> <br /> &lt;i&gt;The following is a &lt;u&gt;prepositional&lt;/u&gt; use, not a situational one:&lt;/i&gt;<br /> *I walked &lt;u&gt;over&lt;/u&gt; the bridge. (prep.) (&lt;i&gt;j'ai traversé le pont.&lt;/i&gt;)<br /> &lt;br&gt;<br /> <br /> &lt;i&gt;These examples are &lt;span style=&quot;color:maroon;&quot;&gt;situative&lt;/span&gt;&lt;/i&gt;:<br /> *I walked &lt;u&gt;over&lt;/u&gt; to his office. (adv. / situative) (situatives are words like &quot;here&quot; or &quot;there&quot;)<br /> *I just walked &lt;u&gt;over&lt;/u&gt;. (adv. / situative) <br /> *I just walked the dog &lt;u&gt;over&lt;/u&gt;. (adv. / situative) <br /> &lt;br&gt;<br /> &lt;i&gt;The following is idiomatic:&lt;/i&gt;<br /> *I just ran &lt;u&gt;over&lt;/u&gt; the dog. (prep./part.) (&lt;i&gt;J'ai écrasé le chien avec la voiture.&lt;/i&gt;)<br /> <br /> ==Preposition: over vs. above==<br /> <br /> Unsurprisingly [https://www.etymonline.com/search?q=over over] and [https://www.etymonline.com/search?q=above above] are related etymologically. <br /> <br /> *Somewhere over the rainbow, way up high...<br /> <br /> Everyone knows Dorothy's song from the movie &lt;i&gt;Wizard of Oz&lt;/i&gt; (1939). (movie version of Frank Baum, &lt;i&gt;[http://www.gutenberg.org/ebooks/55 The Wonderful Wizard of Oz]&lt;/i&gt;, 1900) <br /> <br /> A photographer I've met in Paris even named her blog &quot;Somewhere over my rainbow&quot;.<br /> <br /> &lt;i&gt;over&lt;/i&gt; has the sense of &lt;u&gt;beyond&lt;/u&gt; (&lt;i&gt;au délà de&lt;/i&gt;). Like beyond, &quot;over&quot; encompasses a lot of space, all the space above the rainbow. &quot;Somewhere &lt;i&gt;above&lt;/i&gt; the rainbow&quot; does not imply all the space above, just a point in space. Imagine a transatlantic flight from Helsinki to New York:<br /> <br /> *weird: First, we flew above the North Sea, then above the North Atlantic<br /> *normal: First, we flew over the North Sea then over the North Atlantic.<br /> <br /> Much of the difference is explained by the etymology... over comes from the adjective and by the 14th century had acquired the senes &quot;past, done, finished; through the whole extent, from beginning to end&quot; are attested from late 14c. The sense of &quot;so as to cover the whole surface&quot;.<br /> <br /> Over is used in verb + particle combinations, above is not...<br /> <br /> When used together [https://www.wordreference.com/enfr/over%20and%20above over and above] means &quot;in addition to&quot; or &quot;beyond&quot;.<br /> <br /> ==Adverb: over // through // again==<br /> It is possible to repeat all three of these words:<br /> <br /> *over and over (&lt;i&gt;encore et encore&lt;/i&gt;)<br /> *again and again (&lt;i&gt;encore et encore, de façon identique&lt;/i&gt;)<br /> *through and through (completely)<br /> <br /> The difference between &lt;u&gt;over&lt;/u&gt; and &lt;u&gt;again&lt;/u&gt; is that when you &lt;u&gt;do&lt;/u&gt; something &lt;u&gt;over&lt;/u&gt; you may be applying what you learned from the previous attempt.<br /> When you &lt;u&gt;do&lt;/u&gt; something &lt;u&gt;again&lt;/u&gt;, you repeat the action without change. The two are interchangeable, though.<br /> &lt;br&gt;&lt;br&gt;<br /> With many verbs (look, read, walk, run, go&lt;sup&gt;1&lt;/sup&gt;, etc.) &quot;through&quot; and &quot;over&quot; have the same meaning (or almost). They are virtually interchangeable.<br /> &lt;br&gt;&lt;br&gt;<br /> However, &quot;again&quot; and &quot;through&quot; are &lt;b&gt;not&lt;/b&gt; interchangeable. <br /> &lt;hr&gt;<br /> &lt;sup&gt;1&lt;/sup&gt;Note however that when &quot;go&quot; refers to physical motion, rather than an abstract process, the two are definitely not interchangeable! (both may well be translated by &lt;i&gt;traverser&lt;/i&gt; in French, however.)<br /> *I went (over / *through) the bridge.<br /> *The tunnel goes (*over / through) the mountain.<br /> <br /> =Comparative=<br /> <br /> A synonym for &quot;more than&quot;. The opposite of &lt;i&gt;under&lt;/i&gt;: e.g. Over 50% of the senators voted for the measure. That old car has over 700,000 ki&lt;b&gt;lo&lt;/b&gt;meters on the o&lt;b&gt;do&lt;/b&gt;meter.<br /> <br /> Also used with the verb &lt;i&gt;prefer&lt;/i&gt; in some dialects and registers (&lt;i&gt;to&lt;/i&gt; is universally accepted as grammatical, &lt;i&gt;over&lt;/i&gt; is not). e.g. I prefer butter over margarine.<br /> <br /> =Prefix=<br /> Le préfixe est très productif:<br /> <br /> *overbearing (&lt;span style=&quot;color:maroon&quot;&gt;adj.&lt;/span&gt;) -- &lt;i&gt;autoritaire, dominateur&lt;/i&gt;<br /> <br /> *overboard (&lt;span style=&quot;color:maroon&quot;&gt;adv. / sit.&lt;/span&gt;)-- &lt;i&gt;par-dessus bord&lt;/i&gt; (Man overboard! = &lt;i&gt;homme à la mer&lt;/i&gt;)<br /> <br /> *overblown (&lt;span style=&quot;color:maroon&quot;&gt;pp. --&gt; adj.&lt;/span&gt;) -- &lt;i&gt;pompeux, excessif, boursouflé, ampoulé&lt;/i&gt;<br /> <br /> *overclock(ing) / (-ed) (&lt;span style=&quot;color:maroon&quot;&gt;v., adj.&lt;/span&gt;)-- &lt;i&gt;processeur qui tourne au-dessus du taux prévu par le fabricant&lt;/i&gt;<br /> <br /> *overcom(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v., past / pres. part.&lt;/span&gt;)-- &lt;i&gt;dépasser, surpasser&lt;/i&gt;<br /> <br /> *overheat(ed) (&lt;span style=&quot;color:maroon&quot;&gt;v., past part. --&gt; adj.&lt;/span&gt;) -- &lt;i&gt;surchauffer, surchauffé&lt;/i&gt;, overheated argumentation: &lt;i&gt;une argumentation trop passionnée&lt;/i&gt;)<br /> <br /> *overlap(ping) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;se chevaucher, empiéter sur&lt;/i&gt;<br /> <br /> *overly (&lt;span style=&quot;color:maroon&quot;&gt;deg adv. / mod.&lt;/span&gt;) -- almost exculsively negative: &quot;not overly&quot; -- &lt;i&gt;(pas) trop N&lt;/i&gt; (adverb of degree)<br /> <br /> *overlook(ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- miss out, &lt;i&gt;surplombant&lt;/i&gt;<br /> <br /> *overrid(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v., n.&lt;/span&gt;) -- supercede, &lt;i&gt;outrepasser&lt;/i&gt; [http://oald8.oxfordlearnersdictionaries.com/dictionary/override oxford]<br /> <br /> *overrul(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- reverse a lower court ruling [http://oald8.oxfordlearnersdictionaries.com/dictionary/overrule oxford]<br /> <br /> <br /> *oversee(ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;surveiller / gérer de loin&lt;/i&gt; / manage from afar / steer (&lt;i&gt;piloter&lt;/i&gt;): Cf. overseer @ [https://www.google.fr/search?q=overseer&amp;hl=en&amp;source=lnms&amp;tbm=isch gogl-img]<br /> <br /> *oversight (&lt;span style=&quot;color:maroon&quot;&gt;past part. -&gt; n.&lt;/span&gt;) -- 1) mistake, &lt;i&gt;erreur d'inattention&lt;/i&gt; 2) &lt;i&gt;pilotage&lt;/i&gt;<br /> <br /> *overtak(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;dépasser, doubler&lt;/i&gt;<br /> <br /> *overwhelm (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;déborder, submerger, accabler&lt;/i&gt;<br /> <br /> &lt;br&gt;<br /> &lt;hr&gt;<br /> &lt;br&gt;<br /> une liste complementaire et plus complète à laquelle j'ai un peu collaboré chez [http://agreg-ink.net/index.php?title=Mots_Commençant_par_Over agregink]<br /> <br /> =NP adjectives / adverbs=<br /> <br /> *An over-the-counter (OTC) drug can be bought without a prescription.<br /> *That &lt;abbr title=&quot;ensemble (vêtements), toilette&quot;&gt;outfit&lt;/abbr&gt; is &lt;abbr title=&quot;a bit crazy&quot;&gt;over the top&lt;/abbr&gt;.<br /> *They're &lt;abbr title=&quot;past middle age // old&quot;&gt;over&lt;/abbr&gt; the hill.<br /> <br /> =Particle=<br /> *think (STH) over (STH): &lt;i&gt;réfléchir en profondeur&lt;/i&gt;<br /> *go (*STH) over (STH): &lt;i&gt;parcourir&lt;/i&gt;, &lt;i&gt;répéter&lt;/i&gt;<br /> &lt;br&gt;<br /> <br /> *do it over = redo it (from the beginning to the end, but correcting any mistakes. &quot;Do it again&quot; on the other hand suggests repeating the same action without any changes.)<br /> *read it over: ambiguous: &lt;i&gt;le relire&lt;/i&gt; &lt;b&gt;ou&lt;/b&gt; &lt;i&gt;le parcourir&lt;/i&gt;.<br /> &lt;br&gt;<br /> <br /> *get over it: &lt;i&gt;s'en remettre&lt;/i&gt; <br /> *get it over with: &lt;i&gt;accomplir / subir un acte peu réjouissant&lt;/i&gt;<br /> *get it done with: &lt;i&gt;même sens (plus rare)&lt;/i&gt;<br /> &lt;br&gt;<br /> <br /> *make-over<br /> *take-over: &lt;i&gt;prise de pouvoir, prise de contrôle&lt;/i&gt;<br /> <br /> <br /> <br /> [[Category:100-en]]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Over&diff=9596 2024-06-25T16:53:11Z

<p>WikiSysop: /* Preposition: over vs. above */</p> <hr /> <div>French translations of this preposition, prefix, verbal &amp; nominal particle: &lt;i&gt;au-dessus de, chez soi, re-, par-, encore, sur-, dé-, trans-&lt;/i&gt;. Preceding a number in a noun phrase, &quot;over&quot; is translated as &lt;i&gt;plus de&lt;/i&gt;<br /> <br /> =Preposition / Adverb=<br /> <br /> ==Situatives==<br /> <br /> &lt;i&gt;The following is a &lt;u&gt;prepositional&lt;/u&gt; use, not a situational one:&lt;/i&gt;<br /> *I walked &lt;u&gt;over&lt;/u&gt; the bridge. (prep.) (&lt;i&gt;j'ai traversé le pont.&lt;/i&gt;)<br /> &lt;br&gt;<br /> <br /> &lt;i&gt;These examples are &lt;span style=&quot;color:maroon;&quot;&gt;situative&lt;/span&gt;&lt;/i&gt;:<br /> *I walked &lt;u&gt;over&lt;/u&gt; to his office. (adv. / situative) (situatives are words like &quot;here&quot; or &quot;there&quot;)<br /> *I just walked &lt;u&gt;over&lt;/u&gt;. (adv. / situative) <br /> *I just walked the dog &lt;u&gt;over&lt;/u&gt;. (adv. / situative) <br /> &lt;br&gt;<br /> &lt;i&gt;The following is idiomatic:&lt;/i&gt;<br /> *I just ran &lt;u&gt;over&lt;/u&gt; the dog. (prep./part.) (&lt;i&gt;J'ai écrasé le chien avec la voiture.&lt;/i&gt;)<br /> <br /> ==Preposition: over vs. above==<br /> <br /> Unsurprisingly [https://www.etymonline.com/search?q=over over] and [https://www.etymonline.com/search?q=above above] are related etymologically. <br /> <br /> *Somewhere over the rainbow, way up high...<br /> <br /> Everyone knows Dorothy's song from the movie &lt;i&gt;Wizard of Oz&lt;/i&gt; (1939). (movie version of Frank Baum, &lt;i&gt;[http://www.gutenberg.org/ebooks/55 The Wonderful Wizard of Oz]&lt;/i&gt;, 1900) <br /> <br /> A photographer I've met in Paris has named her blog &quot;Somewhere over my rainbow&quot;, an image that I must admit has grown on me over the years.<br /> <br /> It seems to me that in these examples &lt;i&gt;over&lt;/i&gt; has the sense of &lt;u&gt;beyond&lt;/u&gt; (&lt;i&gt;au délà de&lt;/i&gt;). Like beyond, &quot;over&quot; encompasses a lot of space, all the space above the rainbow. &quot;Somewhere &lt;i&gt;above&lt;/i&gt; the rainbow&quot; does not imply all the space above, just a point in space. Imagine a transatlantic flight from Helsinki to New York:<br /> <br /> *&lt;sup&gt;?&lt;/sup&gt;First, we flew above the North Sea, then above the North Atlantic<br /> *First, we flew over the North Sea then over the North Atlantic.<br /> <br /> When used together [https://www.wordreference.com/enfr/over%20and%20above over and above] means &quot;in addition to&quot; or &quot;beyond&quot;.<br /> <br /> ==Adverb: over // through // again==<br /> It is possible to repeat all three of these words:<br /> <br /> *over and over (&lt;i&gt;encore et encore&lt;/i&gt;)<br /> *again and again (&lt;i&gt;encore et encore, de façon identique&lt;/i&gt;)<br /> *through and through (completely)<br /> <br /> The difference between &lt;u&gt;over&lt;/u&gt; and &lt;u&gt;again&lt;/u&gt; is that when you &lt;u&gt;do&lt;/u&gt; something &lt;u&gt;over&lt;/u&gt; you may be applying what you learned from the previous attempt.<br /> When you &lt;u&gt;do&lt;/u&gt; something &lt;u&gt;again&lt;/u&gt;, you repeat the action without change. The two are interchangeable, though.<br /> &lt;br&gt;&lt;br&gt;<br /> With many verbs (look, read, walk, run, go&lt;sup&gt;1&lt;/sup&gt;, etc.) &quot;through&quot; and &quot;over&quot; have the same meaning (or almost). They are virtually interchangeable.<br /> &lt;br&gt;&lt;br&gt;<br /> However, &quot;again&quot; and &quot;through&quot; are &lt;b&gt;not&lt;/b&gt; interchangeable. <br /> &lt;hr&gt;<br /> &lt;sup&gt;1&lt;/sup&gt;Note however that when &quot;go&quot; refers to physical motion, rather than an abstract process, the two are definitely not interchangeable! (both may well be translated by &lt;i&gt;traverser&lt;/i&gt; in French, however.)<br /> *I went (over / *through) the bridge.<br /> *The tunnel goes (*over / through) the mountain.<br /> <br /> =Comparative=<br /> <br /> A synonym for &quot;more than&quot;. The opposite of &lt;i&gt;under&lt;/i&gt;: e.g. Over 50% of the senators voted for the measure. That old car has over 700,000 ki&lt;b&gt;lo&lt;/b&gt;meters on the o&lt;b&gt;do&lt;/b&gt;meter.<br /> <br /> Also used with the verb &lt;i&gt;prefer&lt;/i&gt; in some dialects and registers (&lt;i&gt;to&lt;/i&gt; is universally accepted as grammatical, &lt;i&gt;over&lt;/i&gt; is not). e.g. I prefer butter over margarine.<br /> <br /> =Prefix=<br /> Le préfixe est très productif:<br /> <br /> *overbearing (&lt;span style=&quot;color:maroon&quot;&gt;adj.&lt;/span&gt;) -- &lt;i&gt;autoritaire, dominateur&lt;/i&gt;<br /> <br /> *overboard (&lt;span style=&quot;color:maroon&quot;&gt;adv. / sit.&lt;/span&gt;)-- &lt;i&gt;par-dessus bord&lt;/i&gt; (Man overboard! = &lt;i&gt;homme à la mer&lt;/i&gt;)<br /> <br /> *overblown (&lt;span style=&quot;color:maroon&quot;&gt;pp. --&gt; adj.&lt;/span&gt;) -- &lt;i&gt;pompeux, excessif, boursouflé, ampoulé&lt;/i&gt;<br /> <br /> *overclock(ing) / (-ed) (&lt;span style=&quot;color:maroon&quot;&gt;v., adj.&lt;/span&gt;)-- &lt;i&gt;processeur qui tourne au-dessus du taux prévu par le fabricant&lt;/i&gt;<br /> <br /> *overcom(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v., past / pres. part.&lt;/span&gt;)-- &lt;i&gt;dépasser, surpasser&lt;/i&gt;<br /> <br /> *overheat(ed) (&lt;span style=&quot;color:maroon&quot;&gt;v., past part. --&gt; adj.&lt;/span&gt;) -- &lt;i&gt;surchauffer, surchauffé&lt;/i&gt;, overheated argumentation: &lt;i&gt;une argumentation trop passionnée&lt;/i&gt;)<br /> <br /> *overlap(ping) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;se chevaucher, empiéter sur&lt;/i&gt;<br /> <br /> *overly (&lt;span style=&quot;color:maroon&quot;&gt;deg adv. / mod.&lt;/span&gt;) -- almost exculsively negative: &quot;not overly&quot; -- &lt;i&gt;(pas) trop N&lt;/i&gt; (adverb of degree)<br /> <br /> *overlook(ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- miss out, &lt;i&gt;surplombant&lt;/i&gt;<br /> <br /> *overrid(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v., n.&lt;/span&gt;) -- supercede, &lt;i&gt;outrepasser&lt;/i&gt; [http://oald8.oxfordlearnersdictionaries.com/dictionary/override oxford]<br /> <br /> *overrul(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- reverse a lower court ruling [http://oald8.oxfordlearnersdictionaries.com/dictionary/overrule oxford]<br /> <br /> <br /> *oversee(ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;surveiller / gérer de loin&lt;/i&gt; / manage from afar / steer (&lt;i&gt;piloter&lt;/i&gt;): Cf. overseer @ [https://www.google.fr/search?q=overseer&amp;hl=en&amp;source=lnms&amp;tbm=isch gogl-img]<br /> <br /> *oversight (&lt;span style=&quot;color:maroon&quot;&gt;past part. -&gt; n.&lt;/span&gt;) -- 1) mistake, &lt;i&gt;erreur d'inattention&lt;/i&gt; 2) &lt;i&gt;pilotage&lt;/i&gt;<br /> <br /> *overtak(e/ing) (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;dépasser, doubler&lt;/i&gt;<br /> <br /> *overwhelm (&lt;span style=&quot;color:maroon&quot;&gt;v.&lt;/span&gt;) -- &lt;i&gt;déborder, submerger, accabler&lt;/i&gt;<br /> <br /> &lt;br&gt;<br /> &lt;hr&gt;<br /> &lt;br&gt;<br /> une liste complementaire et plus complète à laquelle j'ai un peu collaboré chez [http://agreg-ink.net/index.php?title=Mots_Commençant_par_Over agregink]<br /> <br /> =NP adjectives / adverbs=<br /> <br /> *An over-the-counter (OTC) drug can be bought without a prescription.<br /> *That &lt;abbr title=&quot;ensemble (vêtements), toilette&quot;&gt;outfit&lt;/abbr&gt; is &lt;abbr title=&quot;a bit crazy&quot;&gt;over the top&lt;/abbr&gt;.<br /> *They're &lt;abbr title=&quot;past middle age // old&quot;&gt;over&lt;/abbr&gt; the hill.<br /> <br /> =Particle=<br /> *think (STH) over (STH): &lt;i&gt;réfléchir en profondeur&lt;/i&gt;<br /> *go (*STH) over (STH): &lt;i&gt;parcourir&lt;/i&gt;, &lt;i&gt;répéter&lt;/i&gt;<br /> &lt;br&gt;<br /> <br /> *do it over = redo it (from the beginning to the end, but correcting any mistakes. &quot;Do it again&quot; on the other hand suggests repeating the same action without any changes.)<br /> *read it over: ambiguous: &lt;i&gt;le relire&lt;/i&gt; &lt;b&gt;ou&lt;/b&gt; &lt;i&gt;le parcourir&lt;/i&gt;.<br /> &lt;br&gt;<br /> <br /> *get over it: &lt;i&gt;s'en remettre&lt;/i&gt; <br /> *get it over with: &lt;i&gt;accomplir / subir un acte peu réjouissant&lt;/i&gt;<br /> *get it done with: &lt;i&gt;même sens (plus rare)&lt;/i&gt;<br /> &lt;br&gt;<br /> <br /> *make-over<br /> *take-over: &lt;i&gt;prise de pouvoir, prise de contrôle&lt;/i&gt;<br /> <br /> <br /> <br /> [[Category:100-en]]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Reading_room&diff=9595 2024-06-25T08:44:01Z

<p>WikiSysop: </p> <hr /> <div>;[https://www.todayonline.com/singapore/explainers-crows-attack-people-manage-population-2134406 Crow attacks in Singapore]<br /> <br /> ;John McWhorter, &quot;[https://aeon.co/essays/why-is-english-so-weirdly-different-from-other-languages English is not Normal],&quot; ''Aeon'', 2015.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jes_%27grew_(winter_2020)&diff=9594 2024-01-20T23:19:13Z

<p>WikiSysop: /* re:embering */ +cat</p> <hr /> <div><br /> The ground is not frozen yet and the days are already growing longer!<br /> <br /> <br /> ==Addis Ababa==<br /> ;Various, ''Beyond Addis'', 2014.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=NluGANEn7_k&lt;/html5media&gt;<br /> ::[https://en.wikipedia.org/wiki/2666 2666] -- The Art of Listening<br /> <br /> ==Brazil==<br /> ;[https://bixiga70.bandcamp.com/ Bixiga 70], (II), 2013.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=lI9XwOw8YQM&lt;/html5media&gt;<br /> <br /> ;Odete Amaral, &quot;Sei lá, Mangueira&quot;, ''Fala Mangueira!'', 1968. <br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=eJLCVbwGa3I&lt;/html5media&gt;<br /> <br /> ;Eumir Deodato &amp; Os Catedraticos, ''Ataque'', 1965.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=0-qsG1ce9Ts&lt;/html5media&gt;<br /> <br /> <br /> ==Bronkohorstspruit (S. Africa)==<br /> ;Sibusile Xaba, ''Unlearning'', 2017.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=k_bRq64WCJk&lt;/html5media&gt;<br /> ::Sibusile Xaba (g. &amp; v.), Ariel Zamonsky (b.), Bonolo Nkoana (d).<br /> <br /> ==Chicago==<br /> This section is swiped from ''Banzzaï'', 18 Dec 2020.<br /> ;Damon Locks, Black Monument Ensemble, ''Where Future Unfolds'', 2019.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3239489699/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=986978937/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://intlanthem.bandcamp.com/album/where-future-unfolds&quot;&gt;Where Future Unfolds by Damon Locks - Black Monument Ensemble&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ;Art Ensemble of Chicago, ''Les Stances du Sophie'', 1970.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=JmN9rkVfsmo&lt;/html5media&gt;<br /> <br /> ==Columbus, Georgia (via NOLA)==<br /> ;Brandford Marsalis Quartet, ''Ma Rainey's Black Bottom'', 2020.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=764Fb1uo9io&lt;/html5media&gt;<br /> ::I first saw ''Fences'' at Swine Palace. I suppose maybe I should break down and join the netflix movement.&lt;ref&gt;Jordan Hoffman, [https://www.vanityfair.com/hollywood/2020/12/ma-raineys-black-bottom-branford-marsalis-interview How Branford Marsalis Found Ma Rainey’s Sound] ''Vanity Fair'', 18 December 2020.&lt;/ref&gt;<br /> <br /> ==Doing Math==<br /> ;Terry Riley &amp; Don Cherry, Köln, Germany (live), 1975.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=AVQDPSRGINk&lt;/html5media&gt;<br /> <br /> ==Farther East==<br /> ; Naïssam Jamal &amp; Rhythms of Resistance, &quot;Almot Wala Almazala&quot;, 2016.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=37m4ES5k0ws&lt;/html5media&gt;<br /> <br /> ;Gülistan, ''Oriental Groove'', &quot;Ahtarma Meni - Don't Search Me&quot;, 1986.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2102142669/size=large/bgcol=333333/linkcol=4ec5ec/tracklist=false/artwork=small/track=4026625078/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://hotmule.bandcamp.com/album/oriental-groove&quot;&gt;Oriental Groove by Gülistan&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ;Kyriakos Sfetsas, Greek Fusion Orchestra Vol. 1, 2018.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=798943064/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://terangabeat.bandcamp.com/album/greek-fusion-orchestra-vol-1&quot;&gt;Greek Fusion Orchestra Vol.1 by Kyriakos Sfetsas&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ==Farther North==<br /> ;Arve Henriksen, ''Towards Language'', &quot;Hibernal&quot;, 2017.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=a9pRjfZalsU&lt;/html5media&gt;<br /> ;Ragnheiður Gröndal, ''Vetrarljóð'', &quot;Jólakötturinn&quot;, 2004.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=6QszJG0sYZE&lt;/html5media&gt;<br /> ::Yuletide lore of a prowling ''chat-garou''.&lt;ref&gt;Genderdesk (12 December 2020), [https://genderdesk.wordpress.com/2020/12/12/stekkjarstaur-the-first-of-the-icelandic-yule-lads-arrives-today/ Stekkjarstaur, the first of the Icelandic Yule Lads, arrives today].&lt;/ref&gt;<br /> <br /> ==Farther Out==<br /> ; Angelica Sanchez &amp; Marilyn Crispell, ''How to Turn the Moon'', &quot;Ancient Dream&quot;, 2020.<br /> : &lt;html5media&gt;https://www.youtube.com/watch?v=3fO2UW2bYxw&lt;/html5media&gt;<br /> <br /> ;John Lurie, &quot;Power&quot;, ''The Legendary Marvin Pontiac: Greatest Hits'', 1999.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=iRPGJMxG8bI&lt;/html5media&gt;<br /> <br /> ;Space Galvachers, ''Sounds of Brelok'', 2020.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2118912534/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://spacegalvachers.bandcamp.com/album/space-galvachers-sounds-of-brelok&quot;&gt;SPACE GALVACHERS -Sounds of Brelok- by SPACE GALVACHERS&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> :Clément Janinet (violin), Clément Petit (cello), Benjamin Flament (percussion): they call them the SpaceCow-boys;&lt;ref&gt;[https://www.le-grigri.com/disques/2020/11/6/space-galvachers-sounds-of-brelok-green-lab-records Space Galvachers], ''Le Gri-gri'', 9 November 2020. définition: &quot;[http://lemorvandiaupat.free.fr/galvachers.html les galvachers]&quot;&lt;/ref&gt; they conjure a grammar above...<br /> <br /> ==Fuzzy Weather==<br /> ;Nucleus, ''Alleycat'', 1975.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=giYvwLM-JEo&lt;/html5media&gt;<br /> ::Ian Carr (t), Ken Shaw (g), Roger Sellers (d), Geoff Castle (k), Bob Bertles (s,f), Roger Sutton (b).<br /> ::Also see... Nucleus, ''Roots'', 1973. Ian Carr (t), Jocelyn Pitchen (g), Aureo de Souza (perc), Dave MacRae (p), Brian Smith (s,f), Roger Sutton (b).<br /> <br /> ==Got that swing==<br /> ;Slim Gaillard &amp; Leo Watson, &quot;Avocado Seed Soup Symphony&quot;, 1945.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=yX5Dp5YI67Q&lt;/html5media&gt;<br /> <br /> ;Frances Carroll &amp; Her Coquettes featuring Viola Smith, &quot;Snake Charmer&quot;, 1939.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=o5c_XZaArH4&lt;/html5media&gt;<br /> ::&quot;I'd like you to meet our very charming little drummer... &quot;<br /> <br /> ;Stuff Smith, ''Cat on a Hot Fiddle'', &quot;Nice and Warm&quot;, 1959.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=7_8Yj2Nw3lM&lt;/html5media&gt;<br /> ::u2b channels Stuff: [https://www.youtube.com/channel/UCMaShsZf--lU_ryAjMxah_g §].<br /> <br /> ==!Winter !yet &amp; jes' maybe !Even grew==<br /> ;Bechara El-Khoury, ''Autumn Pictures'', concerto pour clarinette op. 78, 2010.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=R6nXJk23uyE&lt;/html5media&gt;<br /> :: Orchestre de jeunes d'Île de France, Patrick Messina (clar.)&lt;ref&gt; Concert de l'Orchestre de chambre de Paris en hommage aux victimes des attentats du 13 novembre 2015, ''Le concert de 20h'', France Musique, 19 November 2020. [https://www.francemusique.fr/emissions/le-concert-de-20h/concert-pianomania-avec-yaron-herman-suzana-bartal-claire-marie-le-guay-david-kadouch-et-florian-noack-88892 25:16] (&quot;Il fait novembre en mon âme&quot;)&lt;/ref&gt;<br /> <br /> ;Raphaël Faune Quartet, ''Faune'', 2020.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3662417721/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=3701444684/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://raphaelpannier.bandcamp.com/album/faune&quot;&gt;Faune by Raphaël Pannier&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> ::Raphaël Pannier (drums, composition), Miguel Zenon (a. sax), Aaron Goldberg &amp; Giorgi Mikadze (piano), François Moutin (a. bass)<br /> <br /> ===Birdlands===<br /> ;Rautavaara, ''Cantus Arcticus: Concerto for Birds and Orchestra'', 1972.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=8X2FU1KU4_U&lt;/html5media&gt;<br /> ::Orchestre Philharmonique de Radio France (2019)<br /> ;Dave Holland Quartet, ''Conference of the Birds'', &quot;Q &amp; A&quot;, 1974.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=ewmfc__vPsA&lt;/html5media&gt;<br /> ::Dave Holland (b), Anthony Braxton (winds), Sam Rivers (fl), Barry Altschul (d), live at Juan-les-Pins.<br /> <br /> ==re:embering==<br /> <br /> ;Donald Byrd, ''A New Perspective'', &quot;Elijah&quot;, 1964.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=T0LDIxfHXTI&lt;/html5media&gt;<br /> ;Louis Armstrong with Sy Oliver Choir and the All Stars, ''Louis &amp; the Good Book'', &quot;Ezekiel Saw de Wheel&quot;, 1958.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=sDJwQqAiH2o&lt;/html5media&gt;<br /> <br /> <br /> <br /> [[Category:Music]][[Category:JesGrew]]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9593 2023-08-11T23:13:50Z

<p>WikiSysop: /* 2020 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled due to the Dread Plague.<br /> <br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''I. [https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [https://www.jazzavienne.com/fr/programmation-2023/jacob-collier-domi-jd-beck 29/06] &lt;span style=&quot;color:#AAA;&quot;&gt;Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing.&lt;/span&gt;<br /> <br /> '''II. [https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> [https://archive.is/wip/eLhdO 01/07] Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''III. [https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''IV. [https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''V. [https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 13/07 &lt;span style=&quot;color:#AAA;&quot;&gt;I'd been planning to go to see Norah Jones and Mavis Staples, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing up the hill, and then the stairs, and then ''more'' stairs, and again stairs, in the muggy heat to stand in the ominous-looking clouds where the last free centimeters were likely to be. So I decided to try my luck the next night. (Radio France covered Norah Jones show live, but unfortunately I missed Mavis Staples.)&lt;/span&gt;<br /> <br /> '''VI. [https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. (another highlight of the festival for me)<br /> <br /> '''VII. [https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9592 2023-08-11T23:12:47Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''I. [https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [https://www.jazzavienne.com/fr/programmation-2023/jacob-collier-domi-jd-beck 29/06] &lt;span style=&quot;color:#AAA;&quot;&gt;Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing.&lt;/span&gt;<br /> <br /> '''II. [https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> [https://archive.is/wip/eLhdO 01/07] Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''III. [https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''IV. [https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''V. [https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 13/07 &lt;span style=&quot;color:#AAA;&quot;&gt;I'd been planning to go to see Norah Jones and Mavis Staples, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing up the hill, and then the stairs, and then ''more'' stairs, and again stairs, in the muggy heat to stand in the ominous-looking clouds where the last free centimeters were likely to be. So I decided to try my luck the next night. (Radio France covered Norah Jones show live, but unfortunately I missed Mavis Staples.)&lt;/span&gt;<br /> <br /> '''VI. [https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. (another highlight of the festival for me)<br /> <br /> '''VII. [https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9591 2023-08-11T23:12:26Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''I. [https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [https://www.jazzavienne.com/fr/programmation-2023/jacob-collier-domi-jd-beck 29/06] &lt;span style=&quot;color:#AAA;&quot;&gt;Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing.&lt;/span&gt;<br /> <br /> '''II. [https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01/07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''III. [https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''IV. [https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''V. [https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 13/07 &lt;span style=&quot;color:#AAA;&quot;&gt;I'd been planning to go to see Norah Jones and Mavis Staples, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing up the hill, and then the stairs, and then ''more'' stairs, and again stairs, in the muggy heat to stand in the ominous-looking clouds where the last free centimeters were likely to be. So I decided to try my luck the next night. (Radio France covered Norah Jones show live, but unfortunately I missed Mavis Staples.)&lt;/span&gt;<br /> <br /> '''VI. [https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. (another highlight of the festival for me)<br /> <br /> '''VII. [https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9590 2023-08-11T23:12:04Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''I. [https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [https://www.jazzavienne.com/fr/programmation-2023/jacob-collier-domi-jd-beck 29/06] &lt;span style=&quot;color:#AAA;&quot;&gt;Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing.&lt;/span&gt; <br /> ....<br /> '''II. [https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01/07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''III. [https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''IV. [https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''V. [https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 13/07 &lt;span style=&quot;color:#AAA;&quot;&gt;I'd been planning to go to see Norah Jones and Mavis Staples, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing up the hill, and then the stairs, and then ''more'' stairs, and again stairs, in the muggy heat to stand in the ominous-looking clouds where the last free centimeters were likely to be. So I decided to try my luck the next night. (Radio France covered Norah Jones show live, but unfortunately I missed Mavis Staples.)&lt;/span&gt;<br /> <br /> '''VI. [https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. (another highlight of the festival for me)<br /> <br /> '''VII. [https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9589 2023-08-11T23:10:58Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> I. '''[https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [https://www.jazzavienne.com/fr/programmation-2023/jacob-collier-domi-jd-beck 29/06] &lt;span style=&quot;color:#AAA;&quot;&gt;Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing.&lt;/span&gt; <br /> ....<br /> II. '''[https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01/07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> III. '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> IV. '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> V. '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 13/07 &lt;span style=&quot;color:#AAA;&quot;&gt;I'd been planning to go to see Norah Jones and Mavis Staples, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing up the hill, and then the stairs, and then ''more'' stairs, and again stairs, in the muggy heat to stand in the ominous-looking clouds where the last free centimeters were likely to be. So I decided to try my luck the next night. (Radio France covered Norah Jones show live, but unfortunately I missed Mavis Staples.)&lt;/span&gt;<br /> <br /> VI. '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. (another highlight of the festival for me)<br /> <br /> VII. '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9588 2023-08-11T23:09:19Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [https://www.jazzavienne.com/fr/programmation-2023/jacob-collier-domi-jd-beck 29/06] &lt;span style=&quot;color:#AAA;&quot;&gt;Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing.&lt;/span&gt; <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01/07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 13/07 &lt;span style=&quot;color:#AAA;&quot;&gt;I'd been planning to go to see Norah Jones and Mavis Staples, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing up the hill, and then the stairs, and then ''more'' stairs, and again stairs, in the muggy heat to stand in the ominous-looking clouds where the last free centimeters were likely to be. So I decided to try my luck the next night. (Radio France covered Norah Jones show live, but unfortunately I missed Mavis Staples.)&lt;/span&gt;<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. (another highlight of the festival for me)<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9587 2023-08-11T23:08:14Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [https://www.jazzavienne.com/fr/programmation-2023/jacob-collier-domi-jd-beck 29/06] &lt;span style=&quot;color:#AAA;&quot;&gt;Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing.&lt;/span&gt; <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01/07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 13/07 &lt;span style=&quot;color:#AAA;&quot;&gt;I'd been planning to go to see Norah Jones and Mavis Staples, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing up the hill, and then the stairs, and then ''more'' stairs, and again stairs, in the muggy heat to stand in the ominous-looking clouds where the last free centimeters were likely to be. So I decided to try my luck the next night. (Radio France covered Norah Jones show live, but unfortunately I missed Mavis Staples.)&lt;/span&gt;<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. (another highlight of the festival for me)<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-inc07 ognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9586 2023-08-11T23:06:22Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [https://www.jazzavienne.com/fr/programmation-2023/jacob-collier-domi-jd-beck 29/06] &lt;span style=&quot;color:#AAA;&quot;&gt;Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing.&lt;/span&gt; <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01/07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 13/07 &lt;span style=&quot;color:#AAA;&quot;&gt;I'd been planning to go to see Norah Jones and Mavis Staples, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing up the hill and then the stairs in the muggy heat to stand in the ominous-looking clouds where the last free centimeters were likely to be, so I decided to try my luck the next night. (Radio France covered Norah Jones show live, but unfortunately I missed Mavis Staples.)&lt;/span&gt;<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-inc07 ognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9585 2023-08-11T23:01:27Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [https://www.jazzavienne.com/fr/programmation-2023/jacob-collier-domi-jd-beck 29/06] &lt;span style=&quot;color:#AAA;&quot;&gt;Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing.&lt;/span&gt; <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01/07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9584 2023-08-11T23:00:10Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [29/06] Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01/07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9583 2023-08-11T22:59:50Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [29/06] Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/sampa-great-loyle-carner-oxmo-puccino-yaron-herman 30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01.07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9582 2023-08-11T22:59:25Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [29/06] Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing. <br /> <br /> '''[30/06]''' Sampa the Great / Loyle Carner / Oxmo Puccino &amp; Yaron Herman. Hip-hop night started with poetry, continued with a very popular Londoner, and finished with Sampa the Great's set, which was pure fire. Lots of people were leaving (as always, unfortunately, during the last act), but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01.07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9581 2023-08-11T22:57:07Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass 28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> [29/06] Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing. <br /> <br /> '''[30/06]''' Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01.07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9580 2023-08-11T22:55:40Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/dee-dee-bridgewater-amazing-keystone-big-band-andre-manoukian-big-band-brass28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73. Her Louis Armstrong imitation, and her trombone imitation, are both top-notch. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9579 2023-08-11T22:52:51Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> '''[28/06]''' Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> [29/06] Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing. <br /> <br /> '''[30/06]''' Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> '''[https://archive.is/wip/eLhdO 01.07]''' Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/selah-sue-faada-freddy-complet 04/07]''' Selah Sue &amp; Faada Freddy: Fadda Freddy was the opening act and also the one I preferred!<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9578 2023-08-11T22:48:44Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> 28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> 29/06 Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing. <br /> <br /> 30/06 Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> [https://archive.is/wip/eLhdO 1.07] Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe 09/07]''' Electro Deluxe / Meute : the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne 10/07]''' Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun 12/07]''' Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. <br /> <br /> '''[https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille 13/07]''' closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille. Each act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't earn my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9577 2023-08-11T22:44:36Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> 28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> 29/06 Only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing. <br /> <br /> 30/06 Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> 1/07 Amin &amp; Luna. [https://www.jazzavienne.com/fr/programmation-2023/amin-luna §] A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...) <br /> <br /> 09/07 Electro Deluxe / Meute [https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe §]: the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> 10/07 Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: [https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne §] You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 12/07 Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. [https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun :)] <br /> <br /> 13/07 closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille: [https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille §] Every act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't get my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9576 2023-08-11T22:43:19Z

<p>WikiSysop: </p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> 28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> 29/06 only a storm kept me away from this show, which the outgoing artistic director had particularly recommended seeing. <br /> <br /> 30/06 Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> 1/07 Amin &amp; Luna. [https://www.jazzavienne.com/fr/programmation-2023/amin-luna §] A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...)<br /> <br /> 09/07 Electro Deluxe / Meute [https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe §]: the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> 10/07 Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: [https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne §] You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 12/07 Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. [https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun :)] <br /> <br /> 13/07 closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille: [https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille §] Every act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't get my survivor ''pins''. :)<br /> <br /> Hats off to the whole crew, but especially to Benjamin Tanguy, who left the festival this year on a very high note.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9575 2023-08-11T22:39:00Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> 28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> 30/06 Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> 1/07 Amin &amp; Luna. [https://www.jazzavienne.com/fr/programmation-2023/amin-luna §] A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...)<br /> <br /> 09/07 Electro Deluxe / Meute [https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe §]: the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> 10/07 Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: [https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne §] You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 12/07 Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. [https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun :)] <br /> <br /> 13/07 closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille: [https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille §] Every act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... so I didn't get my survivor ''pins''. :)</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9574 2023-08-11T22:37:04Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> 28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> 30/06 Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> 1/07 Amin &amp; Luna. [https://www.jazzavienne.com/fr/programmation-2023/amin-luna §] A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...)<br /> <br /> 09/07 Electro Deluxe / Meute [https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe §]: the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and unsurprisingly they ended up being, hands down, the highlight of (what I saw of) the festival, at least in terms of energy: ''everyone'' was up and dancing (the average age was surely a bit younger than some other nights, but still, even the ''papies'' were cutting 'emselves up some &lt;s&gt;rug&lt;/s&gt; stone).<br /> <br /> 10/07 Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: [https://www.jazzavienne.com/fr/programmation-2023/melody-gardot-celia-kameni-alfio-origlio-yessai-marc-karapetian-x-terri-lyne §] You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetians chose Carrington as their (fellowship-funded) guest artist, even without the story they told of hers being one of their first jazz records. <br /> <br /> 12/07 Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. [https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun :)] <br /> <br /> 13/07 closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille: [https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille §] Every act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... :)</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9573 2023-08-11T22:31:17Z

<p>WikiSysop: /* 2023 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> I finally splurged and bought a 7-day pass to the Roman theatre! <br /> <br /> 28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> 30/06 Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> 1/07 Amin &amp; Luna. [https://www.jazzavienne.com/fr/programmation-2023/amin-luna §] A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...)<br /> <br /> 09/07 Electro Deluxe / Meute [https://www.jazzavienne.com/fr/programmation-2023/meute-electro-deluxe §]: the lead singer spoiled Electro Deluxe's performance (at least for me), which is too bad as the band is quite good. But '''Meute''' is a hard act to open for... and indeed they ended up being, hands down, the highlight of (what I saw of) the festival in terms of energy: everyone was up and dancing (the average age was probably a bit younger than other nights but still, even the papies were cutting &lt;s&gt;rug&lt;/s&gt; stone)<br /> <br /> 10/07 Melody Gardot | Célia Kameni / Alfio Origlio | Yessaï &amp; Marc Karapetian x Terri Lyne Carrington: [§] You definitely got the feeling that most of the crowd preferred Célia Kameni's passionate performance to Melody Gardot's act (despite her amazing skillz). You could also see why the Karapetian's chose Carrington even without the story they told of hers being one of their first jazz records. <br /> <br /> 12/07 Pat Metheny Side-Eye / Sixun: I was planning to go to see Norah Jones and Mavis Staples the night before, but all day I'd been grumbling to myself about the storm that was forecast for the evening. I left work late and didn't feel like climbing to the rafters in the muggy heat to sit in the ominous-looking clouds, so I decided to try my luck the next night. Sure enough, the next night the weather was beautiful (despite the forecast)... and Pat Metheny was ''by far'' the most magical opening act I have ''ever'' seen. [https://www.jazzavienne.com/fr/programmation-2023/pat-metheny-side-eye-sixun :)] <br /> <br /> 13/07 closing night. Goran Bregović / Incognito / Samara Joy / Ajate / Lou Rivaille: [https://www.jazzavienne.com/fr/programmation-2023/goran-bregovic-incognito-samara-joy-ajate-voilaaa-sound-system-lou-rivaille §] Every act was excellent in its own way, but I decided to head home after the temperature dropped into the low teens around 4am... :)</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9572 2023-08-11T21:55:04Z

<p>WikiSysop: /* 2022 */</p> <hr /> <div>==2019==<br /> Chucho Valdés 5tet &quot;Jazz Batá 2&quot; / Omar Sosa &amp; Yilian Cañizares: [https://www.jazzavienne.com/fr/programmation-2019/chucho-valdes-5tet-jazz-bata-2-omar-sosa-yilian-canizares §§]<br /> ==2020==<br /> cancelled<br /> ==2021==<br /> Anne Paceo / Tigran Hamasyan Trio / Youn Sun Nah: [https://www.jazzavienne.com/fr/programmation-2021/anne-paceo-tigran-hamasyan-trio-youn-sun-nah §§]<br /> ==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo ££]<br /> <br /> ==2023==<br /> <br /> 28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> 29/06 rain!<br /> <br /> 30/06 Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> 1/07 Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...)</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9571 2023-08-11T21:48:46Z

<p>WikiSysop: </p> <hr /> <div>==2022==<br /> Layth Sidiq and Vasilis Kostas Duo: [https://archive.is/wip/PBgHo archived link]<br /> <br /> ==2023==<br /> <br /> 28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> 29/06 rain!<br /> <br /> 30/06 Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> 1/07 Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...)</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_2023&diff=9570 2023-08-11T21:47:36Z

<p>WikiSysop: WikiSysop moved page Jazz à Vienne 2023 to Jazz à Vienne (perso)</p> <hr /> <div>#REDIRECT [[Jazz à Vienne (perso)]]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9569 2023-08-11T21:47:35Z

<p>WikiSysop: WikiSysop moved page Jazz à Vienne 2023 to Jazz à Vienne (perso)</p> <hr /> <div>28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> 29/06 rain!<br /> <br /> 30/06 Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> 1/07 Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...)</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jazz_%C3%A0_Vienne_(perso)&diff=9568 2023-07-01T17:45:32Z

<p>WikiSysop: Created page with &quot;28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazi...&quot;</p> <hr /> <div>28/06 Opening night (antique theatre) Brilliant set from André Manoukian &amp; company. The big band from Toulouse was also very good, as was Dee Dee Bridgewater, who has amazing energy at 73.<br /> <br /> 29/06 rain!<br /> <br /> 30/06 Hip-hop night (antique theatre). Sampa the Great's set was pure fire. Lots of people were leaving (as always for the last act) but even more stayed and gave the group a standing ovation.<br /> <br /> 1/07 Amin &amp; Luna. A duo from Lyon, who, despite the passing traffic, managed to enchant an audience of around 100 at Place de la Futeraie with Eastern melodies (Persia, Iraq, ...)</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Sounds_of_English&diff=9567 2023-06-21T11:57:06Z

<p>WikiSysop: /* /e/ */</p> <hr /> <div>==Vowels==<br /> <br /> &lt;p&gt;Vowels are always voiced (which means the vocal cords vibrate when the sound is made).&lt;/p&gt;<br /> <br /> &lt;p&gt;&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;vaʊ&lt;/b&gt; &lt;u&gt;ə&lt;/u&gt;lz &lt;u&gt;ə&lt;/u&gt;r &lt;b&gt;ɔːl&lt;/b&gt; w&lt;u&gt;ə&lt;/u&gt;z &lt;b&gt;vɔɪst&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;<br /> <br /> ===Long &quot;pure&quot; vowels===<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɑ:&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt; R, star, car, far&lt;/li&gt;<br /> &lt;li&gt; f&lt;u&gt;a&lt;/u&gt;ther, b&lt;u&gt;o&lt;/u&gt;ther &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;US&lt;/sup&gt;, b&lt;u&gt;o&lt;/u&gt;ttle &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;US&lt;/sup&gt;, kn&lt;u&gt;ow&lt;/u&gt;ledge &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;US&lt;/sup&gt;&lt;/li&gt; <br /> &lt;li&gt;cl&lt;u&gt;er&lt;/u&gt;k &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;UK&lt;/sup&gt;, b&lt;u&gt;a&lt;/u&gt;th &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;UK&lt;/sup&gt;, l&lt;u&gt;au&lt;/u&gt;ghter &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;UK&lt;/sup&gt;, dr&lt;u&gt;au&lt;/u&gt;ght &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;UK&lt;/sup&gt;&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;i:&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;B, C, D, E, G, P, T, V, Z &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;US&lt;/sup&gt;&lt;/li&gt;<br /> &lt;li&gt;h&lt;u&gt;e&lt;/u&gt;, sh&lt;u&gt;e&lt;/u&gt;, m&lt;u&gt;e&lt;/u&gt;, w&lt;u&gt;e&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;ea&lt;/u&gt;, t&lt;u&gt;ea&lt;/u&gt;, s&lt;u&gt;ee&lt;/u&gt;m, f&lt;u&gt;ee&lt;/u&gt;t, (-)t&lt;u&gt;ee&lt;/u&gt;n, k&lt;u&gt;ey&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;apostroph&lt;u&gt;e&lt;/u&gt;, Socrat&lt;u&gt;e&lt;/u&gt;s, catastroph&lt;u&gt;e&lt;/u&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;kə &lt;b&gt;tæ&lt;/b&gt; strə fi&lt;/span&gt;/ ; suffix-final &quot;y&quot; (as in storm&lt;u&gt;y&lt;/u&gt;, safet&lt;u&gt;y&lt;/u&gt;, slowl&lt;u&gt;y&lt;/u&gt;) is also pronounced with a shorter /&lt;span style=&quot;color:darkgreen;&quot;&gt;i&lt;/span&gt;/ &lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;u:&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;2, Q, U, W, y&lt;u&gt;ou&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;ch&lt;u&gt;oo&lt;/u&gt;se, &lt;u&gt;u&lt;/u&gt;se &lt;/li&gt;<br /> &lt;li&gt;n&lt;u&gt;ew&lt;/u&gt;, fl&lt;u&gt;ew&lt;/u&gt;, gr&lt;u&gt;ew&lt;/u&gt;, kn&lt;u&gt;ew&lt;/u&gt;, tr&lt;u&gt;ue&lt;/u&gt;, bl&lt;u&gt;ue&lt;/u&gt;<br /> &lt;li&gt;t&lt;u&gt;o&lt;/u&gt; &lt;sup style=&quot;font-size:9px;&quot;&gt;strong form&lt;/sup&gt;, thr&lt;u&gt;ough&lt;/u&gt;&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɔː&lt;/b&gt;/&lt;/span&gt;====<br /> &lt;ul&gt;<br /> &lt;li&gt;4, 40&lt;/li&gt;<br /> &lt;li&gt;d&lt;u&gt;oor&lt;/u&gt;, fl&lt;u&gt;oor&lt;/u&gt;, sh&lt;u&gt;ore&lt;/u&gt;, st&lt;u&gt;ore&lt;/u&gt; (US /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɔːr&lt;/span&gt;/ )&lt;/li&gt;<br /> &lt;li&gt;d&lt;u&gt;augh&lt;/u&gt;ter, c&lt;u&gt;augh&lt;/u&gt;t, th&lt;u&gt;ough&lt;/u&gt;t, f&lt;u&gt;ough&lt;/u&gt;t&lt;/li&gt; <br /> &lt;li&gt;l&lt;u&gt;aw&lt;/u&gt;, s&lt;u&gt;aw&lt;/u&gt;, l&lt;u&gt;aw&lt;/u&gt;yer /&lt;span style=&quot;color:darkgreen;&gt;ˈlɔː jə&lt;/span&gt;&lt;span style=&quot;color:grey;&quot;&gt;r&lt;/span&gt;/ &lt;/li&gt;<br /> &lt;li&gt;fl&lt;u&gt;uo&lt;/u&gt;rine, chl&lt;u&gt;o&lt;/u&gt;rine&lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;or&lt;/u&gt;t, s&lt;u&gt;wor&lt;/u&gt;d (US /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɔːr&lt;/span&gt;/ )&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɜː&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;first, third, 30, 30&lt;sup&gt;th&lt;/sup&gt;&lt;/li&gt;<br /> &lt;li&gt;sh&lt;u&gt;ir&lt;/u&gt;t, cl&lt;u&gt;er&lt;/u&gt;k, c&lt;u&gt;er&lt;/u&gt;tification, l&lt;u&gt;ear&lt;/u&gt;n&lt;/li&gt;<br /> &lt;li&gt;Some people sometimes pronounce words like &lt;b&gt;sure&lt;/b&gt; &amp; &lt;b&gt;pure&lt;/b&gt; with this sound rather than &lt;span style=&quot;color:darkgreen;&quot;&gt;ʃʊr&lt;/span&gt;, &lt;span style=&quot;color:darkgreen;&quot;&gt;pjʊr&lt;/span&gt;, (myself included).&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ===Short vowels===<br /> <br /> ====&lt;span style=&quot;font-size:14px;color:darkgreen;&quot;&gt;/&lt;b&gt;ɒ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;primarily UK. various US accents substitute a low back vowel, usually /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɑ:&lt;/span&gt;/, but sometimes &lt;span style=&quot;color:darkgreen;&quot;&gt;ɔ:&lt;/span&gt;. Short &lt;span style=&quot;color:darkgreen;&quot;&gt;ʌ&lt;/span&gt; in high frequency functional words like &lt;i&gt;what&lt;/i&gt; and &lt;i&gt;of&lt;/i&gt;.&lt;/li&gt;<br /> &lt;li&gt;wh&lt;u&gt;a&lt;/u&gt;t &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;UK 1&lt;/sup&gt;&lt;/li&gt;<br /> &lt;li&gt;bottle &lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;ˈbɒ&lt;/b&gt; tl&lt;/span&gt;, throttle &lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;ˈθrɒ&lt;/b&gt; tl&lt;/span&gt;&lt;/li&gt;<br /> &lt;li&gt;sh&lt;u&gt;o&lt;/u&gt;t, sp&lt;u&gt;o&lt;/u&gt;t, l&lt;u&gt;o&lt;/u&gt;ts, &lt;u&gt;o&lt;/u&gt;f &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;UK 1&lt;/sup&gt;, p&lt;u&gt;o&lt;/u&gt;ts, acr&lt;u&gt;o&lt;/u&gt;ss&lt;/li&gt;<br /> &lt;li&gt;kn&lt;u&gt;ow&lt;/u&gt;ledge &lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;ˈnɒl&lt;/b&gt; ɪdʒ&lt;/span&gt;&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;US 1&lt;/sup&gt; = &lt;span style=&quot;color:darkgreen;&quot;&gt;ʌ&lt;/span&gt; in &lt;i&gt;wh&lt;u&gt;a&lt;/u&gt;t&lt;/i&gt; and &lt;i&gt;&lt;u&gt;o&lt;/u&gt;f&lt;/i&gt;, &lt;span style=&quot;color:darkgreen;&quot;&gt;ɑ:&lt;/span&gt; in the other examples.<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ʌ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;1, 100&lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;u&lt;/u&gt;n, b&lt;u&gt;u&lt;/u&gt;t, m&lt;u&gt;u&lt;/u&gt;d, &lt;u&gt;u&lt;/u&gt;ncle&lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;o&lt;/u&gt;n, w&lt;u&gt;o&lt;/u&gt;n, br&lt;u&gt;o&lt;/u&gt;ther, &lt;u&gt;o&lt;/u&gt;ther, an&lt;u&gt;o&lt;/u&gt;ther, ab&lt;u&gt;o&lt;/u&gt;ve&lt;/li&gt;<br /> &lt;li&gt;fl&lt;u&gt;oo&lt;/u&gt;d, bl&lt;u&gt;oo&lt;/u&gt;d&lt;/li&gt;<br /> &lt;li&gt;t&lt;u&gt;ou&lt;/u&gt;gh, r&lt;u&gt;ou&lt;/u&gt;gh, en&lt;u&gt;ou&lt;/u&gt;gh /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɪ &lt;b&gt;nʌf&lt;/b&gt;&lt;/span&gt;/<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ʊ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;L&lt;u&gt;oo&lt;/u&gt;k!, a g&lt;u&gt;oo&lt;/u&gt;d c&lt;u&gt;oo&lt;/u&gt;kb&lt;u&gt;oo&lt;/u&gt;k&lt;/li&gt;<br /> &lt;li&gt;p&lt;u&gt;u&lt;/u&gt;t, p&lt;u&gt;u&lt;/u&gt;sh, p&lt;u&gt;u&lt;/u&gt;ll&lt;/li&gt;<br /> &lt;li&gt;w&lt;u&gt;o&lt;/u&gt;man /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;wʊ&lt;/b&gt; mən&lt;/span&gt;/<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɪ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;6, 15, 16, 50, 60, h&lt;u&gt;i&lt;/u&gt;m, th&lt;u&gt;i&lt;/u&gt;s, f&lt;u&gt;i&lt;/u&gt;n&lt;u&gt;i&lt;/u&gt;sh, m&lt;u&gt;i&lt;/u&gt;n&lt;u&gt;u&lt;/u&gt;te (n.) &lt;/li&gt;<br /> &lt;li&gt;b&lt;u&gt;ee&lt;/u&gt;n, ag&lt;u&gt;ai&lt;/u&gt;n&lt;/li&gt;<br /> &lt;li&gt;b&lt;u&gt;e&lt;/u&gt;low, b&lt;u&gt;e&lt;/u&gt;hind, b&lt;u&gt;e&lt;/u&gt;tween, b&lt;u&gt;e&lt;/u&gt;neath, b&lt;u&gt;e&lt;/u&gt;moan, b&lt;u&gt;e&lt;/u&gt;labor, b&lt;u&gt;e&lt;/u&gt;smirch, etc. &lt;/li&gt;<br /> &lt;li&gt;w&lt;u&gt;o&lt;/u&gt;m&lt;u&gt;e&lt;/u&gt;n /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;wɪ&lt;/b&gt; mɪn&lt;/span&gt;/, &lt;u&gt;e&lt;/u&gt;lectric /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɪ &lt;b&gt;lek&lt;/b&gt; trɪk&lt;/span&gt;/, el&lt;u&gt;e&lt;/u&gt;gance /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;el&lt;/b&gt; ɪ ɡəns&lt;/span&gt;/, &lt;u&gt;e&lt;/u&gt;nough /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɪ &lt;b&gt;nʌf&lt;/b&gt;&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;-&lt;u&gt;a&lt;/u&gt;ge &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt;, -&lt;u&gt;e&lt;/u&gt;(d)ge /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɪdʒ&lt;/span&gt;/ (v&lt;u&gt;i&lt;/u&gt;ll&lt;u&gt;a&lt;/u&gt;ge, marr&lt;u&gt;ia&lt;/u&gt;ge, stor&lt;u&gt;a&lt;/u&gt;ge, bagg&lt;u&gt;a&lt;/u&gt;ge, lugg&lt;u&gt;a&lt;/u&gt;ge, mortg&lt;u&gt;a&lt;/u&gt;ge /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;mɔː&lt;/b&gt; ɡɪdʒ&lt;/span&gt;/, coll&lt;u&gt;e&lt;/u&gt;ge, knowl&lt;u&gt;e&lt;/u&gt;dge)&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> &lt;p&gt;&lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt; Exceptions include more recent borrowings from French, e.g. garage /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɡə &lt;b&gt;rɑːʒ&lt;/b&gt;&lt;/span&gt;/ &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;US&lt;/sup&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;ɡær&lt;/b&gt; ɪdʒ&lt;/span&gt;/ &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;UK&lt;/sup&gt;, fuselage /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;fjuː&lt;/b&gt; sə lɑːʒ&lt;/span&gt;/, triage, montage, etc.&lt;/p&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;e&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> The precise realisation of this form varies. In South Africa the sound is closer to /e/, while in the US it is closer to /&lt;span style=&quot;color:#060;font-weight:bold;&quot;&gt;ɛ&lt;/span&gt;/ (''le son souligné en e.g. f&lt;u&gt;ê&lt;/u&gt;te, b&lt;u&gt;ê&lt;/u&gt;te, l&lt;u&gt;ait&lt;/u&gt;, &lt;u&gt;ai&lt;/u&gt;me, pouv&lt;u&gt;aient&lt;/u&gt;''). Since the distinction is not considered phonemic, the standard transcription is /&lt;span style=&quot;color:#060;font-weight:bold;&quot;&gt;e&lt;/span&gt;/ though the sound is closer to /&lt;span style=&quot;color:#060;&quot;&gt;ɛ&lt;/span&gt;/ than it is to /&lt;span style=&quot;color:#060;&quot;&gt;e&lt;/span&gt;/ (''qui est,'' strictu sensu, ''le son de f&lt;u&gt;ée&lt;/u&gt;, pourr&lt;u&gt;ai&lt;/u&gt;, pouv&lt;u&gt;ez&lt;/u&gt;, aim&lt;u&gt;er&lt;/u&gt;'').<br /> *7, 10, 12, F, L, M, N, S, X, zed<br /> *h&lt;u&gt;ea&lt;/u&gt;lth, w&lt;u&gt;e&lt;/u&gt;dding, n&lt;u&gt;e&lt;/u&gt;phew, &lt;u&gt;e&lt;/u&gt;lem&lt;u&gt;e&lt;/u&gt;ntary /&lt;span style=&quot;color:darkgreen;&quot;&gt;ˌel ɪ &lt;b&gt;men&lt;/b&gt; tri&lt;/span&gt;/<br /> *s&lt;u&gt;ay&lt;/u&gt;s, s&lt;u&gt;ai&lt;/u&gt;d<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ə&lt;/b&gt;/&lt;/span&gt;====<br /> *&lt;b style=&quot;color:maroon;&quot;&gt;The most common vowel sound in English&lt;/b&gt; (also the most central vowel) (quite lax) uh... (French &quot;euh&quot; is very similar, but with rounded lips)<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;&lt;u&gt;a&lt;/u&gt;round, &lt;u&gt;a&lt;/u&gt;bout, &lt;u&gt;a&lt;/u&gt;bove, &lt;u&gt;a&lt;/u&gt;cross, &lt;u&gt;a&lt;/u&gt;go, &lt;u&gt;a&lt;/u&gt;sleep, etc.&lt;/li&gt;<br /> &lt;li&gt;perpetu&lt;u&gt;a&lt;/u&gt;l, residu&lt;u&gt;a&lt;/u&gt;l, sci&lt;u&gt;e&lt;/u&gt;nce, &lt;u&gt;e&lt;/u&gt;lectric, eleg&lt;u&gt;a&lt;/u&gt;nt, wom&lt;u&gt;a&lt;/u&gt;n, serm&lt;u&gt;o&lt;/u&gt;n&lt;/li&gt;<br /> &lt;li&gt;t&lt;u&gt;o&lt;/u&gt; &lt;sup style=&quot;font-size:9px;&quot;&gt;weak form&lt;/sup&gt;, th&lt;u&gt;e&lt;/u&gt;m &lt;sup style=&quot;font-size:9px;&quot;&gt;weak form&lt;/sup&gt;, th&lt;u&gt;a&lt;/u&gt;t &lt;sup style=&quot;font-size:9px;&quot;&gt;weak form&lt;/sup&gt;, &lt;u&gt;a&lt;/u&gt;, th&lt;u&gt;e&lt;/u&gt; &lt;sup style=&quot;font-size:9px;&quot;&gt;weak form&lt;/sup&gt; &lt;/li&gt;<br /> &lt;li&gt;-&lt;u&gt;ou&lt;/u&gt;s (fam&lt;u&gt;ou&lt;/u&gt;s, gelatin&lt;u&gt;ou&lt;/u&gt;s, disastr&lt;u&gt;ou&lt;/u&gt;s)&lt;/li&gt;<br /> &lt;li&gt;-&lt;u&gt;er&lt;/u&gt; (saf&lt;u&gt;er&lt;/u&gt;, cheap&lt;u&gt;er&lt;/u&gt;, etc.)&lt;/li&gt;<br /> &lt;li&gt;-&lt;u&gt;a&lt;/u&gt;ble, -&lt;u&gt;i&lt;/u&gt;ble (understand&lt;u&gt;a&lt;/u&gt;ble, comf&lt;u&gt;or&lt;/u&gt;t&lt;u&gt;a&lt;/u&gt;ble &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt;, leg&lt;u&gt;i&lt;/u&gt;ble, incred&lt;u&gt;i&lt;/u&gt;ble)&lt;/li&gt;<br /> &lt;li&gt;-&lt;u&gt;a&lt;/u&gt;te (in ADJ and N): &lt;b&gt;choc&lt;/b&gt;ol&lt;u&gt;a&lt;/u&gt;te (n.) /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;tʃɑː&lt;/b&gt; klət&lt;/span&gt;/, &lt;b&gt;corp&lt;/b&gt;or&lt;u&gt;a&lt;/u&gt;te (adj.), con&lt;b&gt;glom&lt;/b&gt;er&lt;u&gt;a&lt;/u&gt;te (adj.), as&lt;b&gt;soc&lt;/b&gt;i&lt;u&gt;a&lt;/u&gt;te (n.), etc.&lt;/li&gt;<br /> &lt;li&gt;Some transcribe the sound of the suffix -ion as /&lt;span style=&quot;color:darkgreen;&quot;&gt;ən&lt;/span&gt;/, though most dictionaries simply use &quot;syllabic&quot; /&lt;span style=&quot;color:darkgreen;&quot;&gt;n&lt;/span&gt;/. More terminology wars... :) e.g. nation, ration, consideration, fashion /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;fæʃ&lt;/b&gt; n&lt;/span&gt;/, etc. &lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt; Most commonly the first schwa is dropped entirely. &lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;kʌmf&lt;/b&gt; təbl&lt;/span&gt; / &lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;kʌmf&lt;/b&gt; ə təbl&lt;/span&gt;, cf. &quot;comfy&quot; :)<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;æ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;b&lt;u&gt;a&lt;/u&gt;d, f&lt;u&gt;a&lt;/u&gt;ster, f&lt;u&gt;a&lt;/u&gt;stest, th&lt;u&gt;a&lt;/u&gt;t &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt;&lt;/li&gt;<br /> &lt;li&gt;l&lt;u&gt;au&lt;/u&gt;ghter &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;US + parts of UK&lt;/sup&gt;, dr&lt;u&gt;au&lt;/u&gt;ght &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;US + parts of UK&lt;/sup&gt; (fr. &lt;i&gt;courant d'air&lt;/i&gt;)&lt;/li&gt;<br /> &lt;li&gt;forb&lt;u&gt;a&lt;/u&gt;de: (hapax?)&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> &lt;p&gt;&lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt; As a demonstrative pronoun / determiner &lt;i&gt;that&lt;/i&gt; is pronounced /&lt;span style=&quot;color:darkgreen;&quot;&gt;ðæt&lt;/span&gt;/, as a relative pronoun, &lt;i&gt;that&lt;/i&gt; is usually pronounced /&lt;span style=&quot;color:darkgreen;&quot;&gt;ðət&lt;/span&gt;/, though it may be dropped entirely.&lt;/p&gt;<br /> <br /> ===Diphthongs===<br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;eɪ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;A, H, J, K, 8&lt;/li&gt;<br /> &lt;li&gt;th&lt;u&gt;ey&lt;/u&gt;, gr&lt;u&gt;ey&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;t&lt;u&gt;a&lt;/u&gt;ke, pl&lt;u&gt;a&lt;/u&gt;ne, f&lt;u&gt;a&lt;/u&gt;te&lt;/li&gt;<br /> &lt;li&gt;m&lt;u&gt;ai&lt;/u&gt;n, r&lt;u&gt;ai&lt;/u&gt;n, p&lt;u&gt;ai&lt;/u&gt;d, &lt;strike&gt;said&lt;/strike&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;səd&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;d&lt;u&gt;ay&lt;/u&gt;, w&lt;u&gt;ay&lt;/u&gt;, s&lt;u&gt;ay&lt;/u&gt;, &lt;strike&gt;says&lt;/strike&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;səz&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;w&lt;u&gt;eigh&lt;/u&gt;, n&lt;u&gt;eigh&lt;/u&gt;bour, fr&lt;u&gt;eigh&lt;/u&gt;t&lt;/li&gt;<br /> &lt;li&gt;v&lt;u&gt;ei&lt;/u&gt;n&lt;/li&gt;<br /> &lt;li&gt;&lt;u&gt;a&lt;/u&gt;viation, (un)&lt;u&gt;a&lt;/u&gt;ble, &lt;u&gt;A&lt;/u&gt;sia (/&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;eɪ&lt;/b&gt; ʒə&lt;/span&gt;/) &lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɑɪ&lt;/b&gt;/&lt;/span&gt;====<br /> &lt;ul&gt;<br /> &lt;li&gt;I, Y, 5, 9&lt;/li&gt;<br /> &lt;li&gt;r&lt;u&gt;i&lt;/u&gt;ce, m&lt;u&gt;i&lt;/u&gt;ce&lt;/li&gt;<br /> &lt;li&gt;g&lt;u&gt;ui&lt;/u&gt;de, q&lt;u&gt;ui&lt;/u&gt;te q&lt;u&gt;ui&lt;/u&gt;et /&lt;span style=&quot;color:darkgreen;&quot;&gt;kwɑɪt &lt;b&gt;kwɑɪ&lt;/b&gt; ət&lt;/span&gt;/, ch&lt;u&gt;oi&lt;/u&gt;r /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;kwɑɪ&lt;/b&gt; ə&lt;/span&gt;&lt;span style=&quot;color:grey;&quot;&gt;r&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;k&lt;u&gt;i&lt;/u&gt;nd, m&lt;u&gt;i&lt;/u&gt;nd, beh&lt;u&gt;i&lt;/u&gt;nd&lt;/li&gt;<br /> &lt;li&gt;l&lt;u&gt;igh&lt;/u&gt;t, s&lt;u&gt;igh&lt;/u&gt;t, s&lt;u&gt;igh&lt;/u&gt;, h&lt;u&gt;eigh&lt;/u&gt;t&lt;/li&gt;<br /> &lt;li&gt;al&lt;u&gt;ig&lt;/u&gt;n, ben&lt;u&gt;ig&lt;/u&gt;n, s&lt;u&gt;ig&lt;/u&gt;n&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;əʊ&lt;/b&gt; / &lt;b style=&quot;color:darkgreen;&quot;&gt;oʊ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;O, 0, (zero)<br /> &lt;li&gt;cl&lt;u&gt;o&lt;/u&gt;se, cl&lt;u&gt;othe&lt;/u&gt;s /&lt;span style=&quot;color:darkgreen;&quot;&gt;kləʊ&lt;/span&gt;&lt;span style=&quot;color:grey;&quot;&gt;ð&lt;/span&gt;&lt;span style=&quot;color:darkgreen;&quot;&gt;z&lt;/span&gt;/, ch&lt;u&gt;o&lt;/u&gt;se, ch&lt;u&gt;o&lt;/u&gt;sen&lt;/li&gt;<br /> &lt;li&gt;th&lt;u&gt;ough&lt;/u&gt;, alth&lt;u&gt;ough&lt;/u&gt;, thor&lt;u&gt;ough&lt;/u&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;θɜː&lt;/b&gt; roʊ&lt;/span&gt;/ &lt;sup style=&quot;font-size:9px;&quot;&gt;US&lt;/sup&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;θʌ&lt;/b&gt; rə&lt;/span&gt;/ &lt;sup style=&quot;font-size:9px;&quot;&gt;UK&lt;/sup&gt;, bor&lt;u&gt;ough&lt;/u&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;bɜː&lt;/b&gt; roʊ&lt;/span&gt;/ &lt;sup style=&quot;font-size:9px;&quot;&gt;US&lt;/sup&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;bʌ&lt;/b&gt; rə&lt;/span&gt;/ &lt;sup style=&quot;font-size:9px;&quot;&gt;UK&lt;/sup&gt; &lt;/li&gt;<br /> &lt;li&gt;&lt;u&gt;ow&lt;/u&gt;n, gr&lt;u&gt;ow&lt;/u&gt;, kn&lt;u&gt;ow&lt;/u&gt;n, fl&lt;u&gt;ow&lt;/u&gt;n &lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;oa&lt;/u&gt;p, f&lt;u&gt;oa&lt;/u&gt;m&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɑʊ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;1000&lt;/li&gt;<br /> &lt;li&gt;&lt;u&gt;ou&lt;/u&gt;t, ab&lt;u&gt;ou&lt;/u&gt;t, ar&lt;u&gt;ou&lt;/u&gt;nd, ann&lt;u&gt;ou&lt;/u&gt;nce, p&lt;u&gt;ou&lt;/u&gt;nce&lt;/li&gt;<br /> &lt;li&gt;h&lt;u&gt;ow&lt;/u&gt;, n&lt;u&gt;ow&lt;/u&gt;, p&lt;u&gt;ow&lt;/u&gt;er, t&lt;u&gt;ow&lt;/u&gt;er, t&lt;u&gt;ow&lt;/u&gt;n&lt;/li&gt;<br /> <br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɔɪ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> *n&lt;u&gt;oi&lt;/u&gt;sy, &lt;u&gt;oi&lt;/u&gt;l<br /> *t&lt;u&gt;oy&lt;/u&gt;s, b&lt;u&gt;oy&lt;/u&gt;s<br /> *p&lt;u&gt;oi&lt;/u&gt;gnant /ˈpɔɪnyənt/<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;eə&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;Mostly UK. North American English (NAME) is usually /&lt;span style=&quot;color:darkgreen;&quot;&gt;er&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;th&lt;u&gt;ere&lt;/u&gt;, wh&lt;u&gt;ere&lt;/u&gt;<br /> &lt;li&gt;h&lt;u&gt;air&lt;/u&gt;, p&lt;u&gt;air&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;sh&lt;u&gt;are&lt;/u&gt;, c&lt;u&gt;are&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;h&lt;u&gt;eir&lt;/u&gt;&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ʊə&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;Mostly UK. North American English (NAME) is usually /&lt;span style=&quot;color:darkgreen;&quot;&gt;ʊr&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;p&lt;u&gt;oo&lt;/u&gt;r &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt;, t&lt;u&gt;ou&lt;/u&gt;r (guide)&lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;u&lt;/u&gt;re &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt;, (al)l&lt;u&gt;u&lt;/u&gt;re&lt;/li&gt;<br /> &lt;/ul&gt;<br /> &lt;p&gt;&lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt; both &quot;poor&quot; and &quot;sure&quot; can be pronounced with &lt;span style=&quot;color:darkgreen;&quot;&gt;ɔː&lt;/span&gt; i.e. &lt;span style=&quot;color:darkgreen;&quot;&gt;ʃɔː&lt;/span&gt;, &lt;span style=&quot;color:darkgreen;&quot;&gt;pɔː&lt;/span&gt;&lt;/p&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɪə&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;Mostly UK. North American English (NAME) is usually /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɪr&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;d&lt;u&gt;ear&lt;/u&gt;, n&lt;u&gt;ear&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;h&lt;u&gt;ere&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;b&lt;u&gt;eer&lt;/u&gt;, p&lt;u&gt;eer&lt;/u&gt;, t&lt;u&gt;ier&lt;/u&gt;&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ==Consonants==<br /> <br /> &lt;p&gt;Most consonants are paired: at each position one can make two sounds (one voiced, one unvoiced). For example:&lt;/p&gt;<br /> <br /> &lt;div style=&quot;font-size:10px;text-align:center;margin-bottom:14px;&quot;&gt;<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> !<br /> ! &lt;span style=&quot;font-size:14px;color:darkred;&quot;&gt;Voiced&lt;/span&gt;<br /> !<br /> ! &lt;span style=&quot;font-size:14px;color:darkred;&quot;&gt;Unvoiced&lt;/span&gt;<br /> <br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;θ&lt;/span&gt; <br /> | &lt;u&gt;th&lt;/u&gt;ink<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;ð&lt;/span&gt; <br /> |&lt;u&gt;th&lt;/u&gt;at, bro&lt;u&gt;th&lt;/u&gt;er<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;b&lt;/span&gt; <br /> | &lt;u&gt;b&lt;/u&gt;ig<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;p&lt;/span&gt; <br /> |&lt;u&gt;p&lt;/u&gt;ig<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;v&lt;/span&gt; <br /> | e&lt;u&gt;v&lt;/u&gt;en Ste&lt;u&gt;ph&lt;/u&gt;en<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;f&lt;/span&gt; <br /> | enou&lt;u&gt;gh&lt;/u&gt; &lt;u&gt;ph&lt;/u&gt;onetics<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;d&lt;/span&gt; <br /> | stew&lt;u&gt;ed&lt;/u&gt;<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;t&lt;/span&gt;<br /> | cook&lt;u&gt;ed&lt;/u&gt;<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;z&lt;/span&gt; <br /> | read&lt;u&gt;s&lt;/u&gt;<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;s&lt;/span&gt; <br /> | write&lt;u&gt;s&lt;/u&gt;<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;ʒ&lt;/span&gt; <br /> | plea&lt;u&gt;s&lt;/u&gt;ure<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;ʃ&lt;/span&gt; <br /> | &lt;u&gt;s&lt;/u&gt;ure<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;dʒ&lt;/span&gt; <br /> | ba&lt;u&gt;dg&lt;/u&gt;e, &lt;u&gt;j&lt;/u&gt;oke<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;tʃ&lt;/span&gt; <br /> | ba&lt;u&gt;tch&lt;/u&gt;, &lt;u&gt;ch&lt;/u&gt;oke <br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;g&lt;/span&gt; <br /> | a&lt;u&gt;g&lt;/u&gt;ree<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;k&lt;/span&gt; <br /> |&lt;u&gt;c&lt;/u&gt;a&lt;u&gt;k&lt;/u&gt;e, se&lt;u&gt;c&lt;/u&gt;ond(s), &lt;u&gt;ch&lt;/u&gt;emistry <br /> <br /> |}<br /> &lt;/div&gt;<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;Nasal consonants &amp;mdash; &lt;span style=&quot;color:darkgreen;font-weight:bold;&quot;&gt;m, n, ŋ&lt;/span&gt; &amp;mdash; liquids &amp;mdash;&lt;span style=&quot;color:darkgreen;font-weight:bold;&quot;&gt;r, l&lt;/span&gt; &amp;mdash; and glides &amp;mdash; &lt;span style=&quot;color:darkgreen;font-weight:bold;&quot;&gt;w, j&lt;/span&gt; (&lt;u&gt;wh&lt;/u&gt;y, &lt;u&gt;y&lt;/u&gt;ellow) &amp;mdash; are all &lt;b&gt;voiced&lt;/b&gt;.&lt;/li&gt;<br /> &lt;li&gt;&lt;b&gt;Syllabic &lt;span style=&quot;color:darkgreen;font-weight:bold;&quot;&gt;n&lt;/span&gt; and &lt;span style=&quot;color:darkgreen;font-weight:bold;&quot;&gt;l&lt;/span&gt;&lt;/b&gt; are roughly equivalent to /&lt;span style=&quot;color:darkgreen;&quot;&gt;ən&lt;/span&gt;/, /&lt;span style=&quot;color:darkgreen;&quot;&gt;əl&lt;/span&gt;/. (fash&lt;u&gt;ion&lt;/u&gt;, bott&lt;u&gt;le&lt;/u&gt;)&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> :A &quot;flap&quot; /&lt;span style=&quot;font-weight:bold;color:#060;&quot;&gt;ɾ&lt;/span&gt;/ or /&lt;span style=&quot;font-weight:bold;color:#060;&quot;&gt;t̮&lt;/span&gt;/ is often used for intervocalic &quot;t&quot; after a stressed syllable outside of England (Australia, NZ, US, ...). The sound is made in the same place as the /&lt;span style=&quot;font-weight:bold;color:#060;&quot;&gt;d&lt;/span&gt;/ but with a quicker flap of the tongue (hence the name). It is voiced. <br /> :*battle &lt;span style=&quot;font-size:80%;color:#060;&quot;&gt;ˈbæt̮l&lt;/span&gt;, butter &lt;span style=&quot;font-size:80%;color:#060;&quot;&gt;bʌt̮ər&lt;/span&gt;, bottle &lt;span style=&quot;font-size:80%;color:#060;&quot;&gt;ˈbɑt̮l&lt;/span&gt;, subtle &lt;span style=&quot;font-size:80%;color:#060;&quot;&gt;ˈsʌt̮l&lt;/span&gt;, better &lt;span style=&quot;font-size:80%;color:#060;&quot;&gt;ˈbɛt̮ər&lt;/span&gt;...<br /> <br /> ==Accents of North American English==<br /> <br /> :Part I<br /> ;&lt;html5media&gt;https://www.youtube.com/watch?v=H1KP4ztKK0A&lt;/html5media&gt;<br /> :Part II<br /> ;&lt;html5media&gt;https://www.youtube.com/watch?v=IsE_8j5RL3k&lt;/html5media&gt;<br /> :Part III<br /> ;&lt;html5media&gt;https://www.youtube.com/watch?v=Sw7pL7OkKEE&lt;/html5media&gt;<br /> <br /> ==Accents of English==<br /> :Some comparisons <br /> ;&lt;html5media&gt;https://www.youtube.com/watch?v=XKuPfZpzEHg&lt;/html5media&gt;</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Sounds_of_English&diff=9566 2023-06-21T11:55:47Z

<p>WikiSysop: /* /æ/ */</p> <hr /> <div>==Vowels==<br /> <br /> &lt;p&gt;Vowels are always voiced (which means the vocal cords vibrate when the sound is made).&lt;/p&gt;<br /> <br /> &lt;p&gt;&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;vaʊ&lt;/b&gt; &lt;u&gt;ə&lt;/u&gt;lz &lt;u&gt;ə&lt;/u&gt;r &lt;b&gt;ɔːl&lt;/b&gt; w&lt;u&gt;ə&lt;/u&gt;z &lt;b&gt;vɔɪst&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;<br /> <br /> ===Long &quot;pure&quot; vowels===<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɑ:&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt; R, star, car, far&lt;/li&gt;<br /> &lt;li&gt; f&lt;u&gt;a&lt;/u&gt;ther, b&lt;u&gt;o&lt;/u&gt;ther &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;US&lt;/sup&gt;, b&lt;u&gt;o&lt;/u&gt;ttle &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;US&lt;/sup&gt;, kn&lt;u&gt;ow&lt;/u&gt;ledge &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;US&lt;/sup&gt;&lt;/li&gt; <br /> &lt;li&gt;cl&lt;u&gt;er&lt;/u&gt;k &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;UK&lt;/sup&gt;, b&lt;u&gt;a&lt;/u&gt;th &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;UK&lt;/sup&gt;, l&lt;u&gt;au&lt;/u&gt;ghter &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;UK&lt;/sup&gt;, dr&lt;u&gt;au&lt;/u&gt;ght &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;UK&lt;/sup&gt;&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;i:&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;B, C, D, E, G, P, T, V, Z &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;US&lt;/sup&gt;&lt;/li&gt;<br /> &lt;li&gt;h&lt;u&gt;e&lt;/u&gt;, sh&lt;u&gt;e&lt;/u&gt;, m&lt;u&gt;e&lt;/u&gt;, w&lt;u&gt;e&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;ea&lt;/u&gt;, t&lt;u&gt;ea&lt;/u&gt;, s&lt;u&gt;ee&lt;/u&gt;m, f&lt;u&gt;ee&lt;/u&gt;t, (-)t&lt;u&gt;ee&lt;/u&gt;n, k&lt;u&gt;ey&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;apostroph&lt;u&gt;e&lt;/u&gt;, Socrat&lt;u&gt;e&lt;/u&gt;s, catastroph&lt;u&gt;e&lt;/u&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;kə &lt;b&gt;tæ&lt;/b&gt; strə fi&lt;/span&gt;/ ; suffix-final &quot;y&quot; (as in storm&lt;u&gt;y&lt;/u&gt;, safet&lt;u&gt;y&lt;/u&gt;, slowl&lt;u&gt;y&lt;/u&gt;) is also pronounced with a shorter /&lt;span style=&quot;color:darkgreen;&quot;&gt;i&lt;/span&gt;/ &lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;u:&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;2, Q, U, W, y&lt;u&gt;ou&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;ch&lt;u&gt;oo&lt;/u&gt;se, &lt;u&gt;u&lt;/u&gt;se &lt;/li&gt;<br /> &lt;li&gt;n&lt;u&gt;ew&lt;/u&gt;, fl&lt;u&gt;ew&lt;/u&gt;, gr&lt;u&gt;ew&lt;/u&gt;, kn&lt;u&gt;ew&lt;/u&gt;, tr&lt;u&gt;ue&lt;/u&gt;, bl&lt;u&gt;ue&lt;/u&gt;<br /> &lt;li&gt;t&lt;u&gt;o&lt;/u&gt; &lt;sup style=&quot;font-size:9px;&quot;&gt;strong form&lt;/sup&gt;, thr&lt;u&gt;ough&lt;/u&gt;&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɔː&lt;/b&gt;/&lt;/span&gt;====<br /> &lt;ul&gt;<br /> &lt;li&gt;4, 40&lt;/li&gt;<br /> &lt;li&gt;d&lt;u&gt;oor&lt;/u&gt;, fl&lt;u&gt;oor&lt;/u&gt;, sh&lt;u&gt;ore&lt;/u&gt;, st&lt;u&gt;ore&lt;/u&gt; (US /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɔːr&lt;/span&gt;/ )&lt;/li&gt;<br /> &lt;li&gt;d&lt;u&gt;augh&lt;/u&gt;ter, c&lt;u&gt;augh&lt;/u&gt;t, th&lt;u&gt;ough&lt;/u&gt;t, f&lt;u&gt;ough&lt;/u&gt;t&lt;/li&gt; <br /> &lt;li&gt;l&lt;u&gt;aw&lt;/u&gt;, s&lt;u&gt;aw&lt;/u&gt;, l&lt;u&gt;aw&lt;/u&gt;yer /&lt;span style=&quot;color:darkgreen;&gt;ˈlɔː jə&lt;/span&gt;&lt;span style=&quot;color:grey;&quot;&gt;r&lt;/span&gt;/ &lt;/li&gt;<br /> &lt;li&gt;fl&lt;u&gt;uo&lt;/u&gt;rine, chl&lt;u&gt;o&lt;/u&gt;rine&lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;or&lt;/u&gt;t, s&lt;u&gt;wor&lt;/u&gt;d (US /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɔːr&lt;/span&gt;/ )&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɜː&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;first, third, 30, 30&lt;sup&gt;th&lt;/sup&gt;&lt;/li&gt;<br /> &lt;li&gt;sh&lt;u&gt;ir&lt;/u&gt;t, cl&lt;u&gt;er&lt;/u&gt;k, c&lt;u&gt;er&lt;/u&gt;tification, l&lt;u&gt;ear&lt;/u&gt;n&lt;/li&gt;<br /> &lt;li&gt;Some people sometimes pronounce words like &lt;b&gt;sure&lt;/b&gt; &amp; &lt;b&gt;pure&lt;/b&gt; with this sound rather than &lt;span style=&quot;color:darkgreen;&quot;&gt;ʃʊr&lt;/span&gt;, &lt;span style=&quot;color:darkgreen;&quot;&gt;pjʊr&lt;/span&gt;, (myself included).&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ===Short vowels===<br /> <br /> ====&lt;span style=&quot;font-size:14px;color:darkgreen;&quot;&gt;/&lt;b&gt;ɒ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;primarily UK. various US accents substitute a low back vowel, usually /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɑ:&lt;/span&gt;/, but sometimes &lt;span style=&quot;color:darkgreen;&quot;&gt;ɔ:&lt;/span&gt;. Short &lt;span style=&quot;color:darkgreen;&quot;&gt;ʌ&lt;/span&gt; in high frequency functional words like &lt;i&gt;what&lt;/i&gt; and &lt;i&gt;of&lt;/i&gt;.&lt;/li&gt;<br /> &lt;li&gt;wh&lt;u&gt;a&lt;/u&gt;t &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;UK 1&lt;/sup&gt;&lt;/li&gt;<br /> &lt;li&gt;bottle &lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;ˈbɒ&lt;/b&gt; tl&lt;/span&gt;, throttle &lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;ˈθrɒ&lt;/b&gt; tl&lt;/span&gt;&lt;/li&gt;<br /> &lt;li&gt;sh&lt;u&gt;o&lt;/u&gt;t, sp&lt;u&gt;o&lt;/u&gt;t, l&lt;u&gt;o&lt;/u&gt;ts, &lt;u&gt;o&lt;/u&gt;f &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;UK 1&lt;/sup&gt;, p&lt;u&gt;o&lt;/u&gt;ts, acr&lt;u&gt;o&lt;/u&gt;ss&lt;/li&gt;<br /> &lt;li&gt;kn&lt;u&gt;ow&lt;/u&gt;ledge &lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;ˈnɒl&lt;/b&gt; ɪdʒ&lt;/span&gt;&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> &lt;sup style=&quot;color:darkblue;font-size:9px;&gt;US 1&lt;/sup&gt; = &lt;span style=&quot;color:darkgreen;&quot;&gt;ʌ&lt;/span&gt; in &lt;i&gt;wh&lt;u&gt;a&lt;/u&gt;t&lt;/i&gt; and &lt;i&gt;&lt;u&gt;o&lt;/u&gt;f&lt;/i&gt;, &lt;span style=&quot;color:darkgreen;&quot;&gt;ɑ:&lt;/span&gt; in the other examples.<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ʌ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;1, 100&lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;u&lt;/u&gt;n, b&lt;u&gt;u&lt;/u&gt;t, m&lt;u&gt;u&lt;/u&gt;d, &lt;u&gt;u&lt;/u&gt;ncle&lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;o&lt;/u&gt;n, w&lt;u&gt;o&lt;/u&gt;n, br&lt;u&gt;o&lt;/u&gt;ther, &lt;u&gt;o&lt;/u&gt;ther, an&lt;u&gt;o&lt;/u&gt;ther, ab&lt;u&gt;o&lt;/u&gt;ve&lt;/li&gt;<br /> &lt;li&gt;fl&lt;u&gt;oo&lt;/u&gt;d, bl&lt;u&gt;oo&lt;/u&gt;d&lt;/li&gt;<br /> &lt;li&gt;t&lt;u&gt;ou&lt;/u&gt;gh, r&lt;u&gt;ou&lt;/u&gt;gh, en&lt;u&gt;ou&lt;/u&gt;gh /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɪ &lt;b&gt;nʌf&lt;/b&gt;&lt;/span&gt;/<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ʊ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;L&lt;u&gt;oo&lt;/u&gt;k!, a g&lt;u&gt;oo&lt;/u&gt;d c&lt;u&gt;oo&lt;/u&gt;kb&lt;u&gt;oo&lt;/u&gt;k&lt;/li&gt;<br /> &lt;li&gt;p&lt;u&gt;u&lt;/u&gt;t, p&lt;u&gt;u&lt;/u&gt;sh, p&lt;u&gt;u&lt;/u&gt;ll&lt;/li&gt;<br /> &lt;li&gt;w&lt;u&gt;o&lt;/u&gt;man /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;wʊ&lt;/b&gt; mən&lt;/span&gt;/<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɪ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;6, 15, 16, 50, 60, h&lt;u&gt;i&lt;/u&gt;m, th&lt;u&gt;i&lt;/u&gt;s, f&lt;u&gt;i&lt;/u&gt;n&lt;u&gt;i&lt;/u&gt;sh, m&lt;u&gt;i&lt;/u&gt;n&lt;u&gt;u&lt;/u&gt;te (n.) &lt;/li&gt;<br /> &lt;li&gt;b&lt;u&gt;ee&lt;/u&gt;n, ag&lt;u&gt;ai&lt;/u&gt;n&lt;/li&gt;<br /> &lt;li&gt;b&lt;u&gt;e&lt;/u&gt;low, b&lt;u&gt;e&lt;/u&gt;hind, b&lt;u&gt;e&lt;/u&gt;tween, b&lt;u&gt;e&lt;/u&gt;neath, b&lt;u&gt;e&lt;/u&gt;moan, b&lt;u&gt;e&lt;/u&gt;labor, b&lt;u&gt;e&lt;/u&gt;smirch, etc. &lt;/li&gt;<br /> &lt;li&gt;w&lt;u&gt;o&lt;/u&gt;m&lt;u&gt;e&lt;/u&gt;n /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;wɪ&lt;/b&gt; mɪn&lt;/span&gt;/, &lt;u&gt;e&lt;/u&gt;lectric /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɪ &lt;b&gt;lek&lt;/b&gt; trɪk&lt;/span&gt;/, el&lt;u&gt;e&lt;/u&gt;gance /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;el&lt;/b&gt; ɪ ɡəns&lt;/span&gt;/, &lt;u&gt;e&lt;/u&gt;nough /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɪ &lt;b&gt;nʌf&lt;/b&gt;&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;-&lt;u&gt;a&lt;/u&gt;ge &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt;, -&lt;u&gt;e&lt;/u&gt;(d)ge /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɪdʒ&lt;/span&gt;/ (v&lt;u&gt;i&lt;/u&gt;ll&lt;u&gt;a&lt;/u&gt;ge, marr&lt;u&gt;ia&lt;/u&gt;ge, stor&lt;u&gt;a&lt;/u&gt;ge, bagg&lt;u&gt;a&lt;/u&gt;ge, lugg&lt;u&gt;a&lt;/u&gt;ge, mortg&lt;u&gt;a&lt;/u&gt;ge /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;mɔː&lt;/b&gt; ɡɪdʒ&lt;/span&gt;/, coll&lt;u&gt;e&lt;/u&gt;ge, knowl&lt;u&gt;e&lt;/u&gt;dge)&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> &lt;p&gt;&lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt; Exceptions include more recent borrowings from French, e.g. garage /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɡə &lt;b&gt;rɑːʒ&lt;/b&gt;&lt;/span&gt;/ &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;US&lt;/sup&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;ɡær&lt;/b&gt; ɪdʒ&lt;/span&gt;/ &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;UK&lt;/sup&gt;, fuselage /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;fjuː&lt;/b&gt; sə lɑːʒ&lt;/span&gt;/, triage, montage, etc.&lt;/p&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;e&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> The precise realisation of this form varies. In South Africa the sound is closer to /e/, while in the US it is closer to /&lt;span style=&quot;color:#060;font-weight:bold;&quot;&gt;ɛ&lt;/span&gt;/ (''le son souligné en e.g. f&lt;u&gt;ê&lt;/u&gt;te, b&lt;u&gt;ê&lt;/u&gt;te, l&lt;u&gt;ait&lt;/u&gt;, &lt;u&gt;ai&lt;/u&gt;me, pouv&lt;u&gt;aient&lt;/u&gt;''). Since the distinction is not considered phonemic, the standard transcription is /&lt;span style=&quot;color:#060;font-weight:bold;&quot;&gt;e&lt;/span&gt;/ though the sound is closer to /&lt;span style=&quot;color:#060;&quot;&gt;ɛ&lt;/span&gt;/ than it is to /&lt;span style=&quot;color:#060;&quot;&gt;e&lt;/span&gt;/ (''qui est,'' strictu sensu, ''le son de &lt;i&gt;f&lt;u&gt;ée&lt;/u&gt;, pourr&lt;u&gt;ai&lt;/u&gt;, pouv&lt;u&gt;ez&lt;/u&gt;, aim&lt;u&gt;er&lt;/u&gt;'').<br /> *7, 10, 12, F, L, M, N, S, X, zed<br /> *h&lt;u&gt;ea&lt;/u&gt;lth, w&lt;u&gt;e&lt;/u&gt;dding, n&lt;u&gt;e&lt;/u&gt;phew, &lt;u&gt;e&lt;/u&gt;lem&lt;u&gt;e&lt;/u&gt;ntary /&lt;span style=&quot;color:darkgreen;&quot;&gt;ˌel ɪ &lt;b&gt;men&lt;/b&gt; tri&lt;/span&gt;/<br /> *s&lt;u&gt;ay&lt;/u&gt;s, s&lt;u&gt;ai&lt;/u&gt;d<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ə&lt;/b&gt;/&lt;/span&gt;====<br /> *&lt;b style=&quot;color:maroon;&quot;&gt;The most common vowel sound in English&lt;/b&gt; (also the most central vowel) (quite lax) uh... (French &quot;euh&quot; is very similar, but with rounded lips)<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;&lt;u&gt;a&lt;/u&gt;round, &lt;u&gt;a&lt;/u&gt;bout, &lt;u&gt;a&lt;/u&gt;bove, &lt;u&gt;a&lt;/u&gt;cross, &lt;u&gt;a&lt;/u&gt;go, &lt;u&gt;a&lt;/u&gt;sleep, etc.&lt;/li&gt;<br /> &lt;li&gt;perpetu&lt;u&gt;a&lt;/u&gt;l, residu&lt;u&gt;a&lt;/u&gt;l, sci&lt;u&gt;e&lt;/u&gt;nce, &lt;u&gt;e&lt;/u&gt;lectric, eleg&lt;u&gt;a&lt;/u&gt;nt, wom&lt;u&gt;a&lt;/u&gt;n, serm&lt;u&gt;o&lt;/u&gt;n&lt;/li&gt;<br /> &lt;li&gt;t&lt;u&gt;o&lt;/u&gt; &lt;sup style=&quot;font-size:9px;&quot;&gt;weak form&lt;/sup&gt;, th&lt;u&gt;e&lt;/u&gt;m &lt;sup style=&quot;font-size:9px;&quot;&gt;weak form&lt;/sup&gt;, th&lt;u&gt;a&lt;/u&gt;t &lt;sup style=&quot;font-size:9px;&quot;&gt;weak form&lt;/sup&gt;, &lt;u&gt;a&lt;/u&gt;, th&lt;u&gt;e&lt;/u&gt; &lt;sup style=&quot;font-size:9px;&quot;&gt;weak form&lt;/sup&gt; &lt;/li&gt;<br /> &lt;li&gt;-&lt;u&gt;ou&lt;/u&gt;s (fam&lt;u&gt;ou&lt;/u&gt;s, gelatin&lt;u&gt;ou&lt;/u&gt;s, disastr&lt;u&gt;ou&lt;/u&gt;s)&lt;/li&gt;<br /> &lt;li&gt;-&lt;u&gt;er&lt;/u&gt; (saf&lt;u&gt;er&lt;/u&gt;, cheap&lt;u&gt;er&lt;/u&gt;, etc.)&lt;/li&gt;<br /> &lt;li&gt;-&lt;u&gt;a&lt;/u&gt;ble, -&lt;u&gt;i&lt;/u&gt;ble (understand&lt;u&gt;a&lt;/u&gt;ble, comf&lt;u&gt;or&lt;/u&gt;t&lt;u&gt;a&lt;/u&gt;ble &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt;, leg&lt;u&gt;i&lt;/u&gt;ble, incred&lt;u&gt;i&lt;/u&gt;ble)&lt;/li&gt;<br /> &lt;li&gt;-&lt;u&gt;a&lt;/u&gt;te (in ADJ and N): &lt;b&gt;choc&lt;/b&gt;ol&lt;u&gt;a&lt;/u&gt;te (n.) /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;tʃɑː&lt;/b&gt; klət&lt;/span&gt;/, &lt;b&gt;corp&lt;/b&gt;or&lt;u&gt;a&lt;/u&gt;te (adj.), con&lt;b&gt;glom&lt;/b&gt;er&lt;u&gt;a&lt;/u&gt;te (adj.), as&lt;b&gt;soc&lt;/b&gt;i&lt;u&gt;a&lt;/u&gt;te (n.), etc.&lt;/li&gt;<br /> &lt;li&gt;Some transcribe the sound of the suffix -ion as /&lt;span style=&quot;color:darkgreen;&quot;&gt;ən&lt;/span&gt;/, though most dictionaries simply use &quot;syllabic&quot; /&lt;span style=&quot;color:darkgreen;&quot;&gt;n&lt;/span&gt;/. More terminology wars... :) e.g. nation, ration, consideration, fashion /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;fæʃ&lt;/b&gt; n&lt;/span&gt;/, etc. &lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt; Most commonly the first schwa is dropped entirely. &lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;kʌmf&lt;/b&gt; təbl&lt;/span&gt; / &lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;kʌmf&lt;/b&gt; ə təbl&lt;/span&gt;, cf. &quot;comfy&quot; :)<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;æ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;b&lt;u&gt;a&lt;/u&gt;d, f&lt;u&gt;a&lt;/u&gt;ster, f&lt;u&gt;a&lt;/u&gt;stest, th&lt;u&gt;a&lt;/u&gt;t &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt;&lt;/li&gt;<br /> &lt;li&gt;l&lt;u&gt;au&lt;/u&gt;ghter &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;US + parts of UK&lt;/sup&gt;, dr&lt;u&gt;au&lt;/u&gt;ght &lt;sup style=&quot;color:darkblue;font-size:9px;&quot;&gt;US + parts of UK&lt;/sup&gt; (fr. &lt;i&gt;courant d'air&lt;/i&gt;)&lt;/li&gt;<br /> &lt;li&gt;forb&lt;u&gt;a&lt;/u&gt;de: (hapax?)&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> &lt;p&gt;&lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt; As a demonstrative pronoun / determiner &lt;i&gt;that&lt;/i&gt; is pronounced /&lt;span style=&quot;color:darkgreen;&quot;&gt;ðæt&lt;/span&gt;/, as a relative pronoun, &lt;i&gt;that&lt;/i&gt; is usually pronounced /&lt;span style=&quot;color:darkgreen;&quot;&gt;ðət&lt;/span&gt;/, though it may be dropped entirely.&lt;/p&gt;<br /> <br /> ===Diphthongs===<br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;eɪ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;A, H, J, K, 8&lt;/li&gt;<br /> &lt;li&gt;th&lt;u&gt;ey&lt;/u&gt;, gr&lt;u&gt;ey&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;t&lt;u&gt;a&lt;/u&gt;ke, pl&lt;u&gt;a&lt;/u&gt;ne, f&lt;u&gt;a&lt;/u&gt;te&lt;/li&gt;<br /> &lt;li&gt;m&lt;u&gt;ai&lt;/u&gt;n, r&lt;u&gt;ai&lt;/u&gt;n, p&lt;u&gt;ai&lt;/u&gt;d, &lt;strike&gt;said&lt;/strike&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;səd&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;d&lt;u&gt;ay&lt;/u&gt;, w&lt;u&gt;ay&lt;/u&gt;, s&lt;u&gt;ay&lt;/u&gt;, &lt;strike&gt;says&lt;/strike&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;səz&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;w&lt;u&gt;eigh&lt;/u&gt;, n&lt;u&gt;eigh&lt;/u&gt;bour, fr&lt;u&gt;eigh&lt;/u&gt;t&lt;/li&gt;<br /> &lt;li&gt;v&lt;u&gt;ei&lt;/u&gt;n&lt;/li&gt;<br /> &lt;li&gt;&lt;u&gt;a&lt;/u&gt;viation, (un)&lt;u&gt;a&lt;/u&gt;ble, &lt;u&gt;A&lt;/u&gt;sia (/&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;eɪ&lt;/b&gt; ʒə&lt;/span&gt;/) &lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɑɪ&lt;/b&gt;/&lt;/span&gt;====<br /> &lt;ul&gt;<br /> &lt;li&gt;I, Y, 5, 9&lt;/li&gt;<br /> &lt;li&gt;r&lt;u&gt;i&lt;/u&gt;ce, m&lt;u&gt;i&lt;/u&gt;ce&lt;/li&gt;<br /> &lt;li&gt;g&lt;u&gt;ui&lt;/u&gt;de, q&lt;u&gt;ui&lt;/u&gt;te q&lt;u&gt;ui&lt;/u&gt;et /&lt;span style=&quot;color:darkgreen;&quot;&gt;kwɑɪt &lt;b&gt;kwɑɪ&lt;/b&gt; ət&lt;/span&gt;/, ch&lt;u&gt;oi&lt;/u&gt;r /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;kwɑɪ&lt;/b&gt; ə&lt;/span&gt;&lt;span style=&quot;color:grey;&quot;&gt;r&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;k&lt;u&gt;i&lt;/u&gt;nd, m&lt;u&gt;i&lt;/u&gt;nd, beh&lt;u&gt;i&lt;/u&gt;nd&lt;/li&gt;<br /> &lt;li&gt;l&lt;u&gt;igh&lt;/u&gt;t, s&lt;u&gt;igh&lt;/u&gt;t, s&lt;u&gt;igh&lt;/u&gt;, h&lt;u&gt;eigh&lt;/u&gt;t&lt;/li&gt;<br /> &lt;li&gt;al&lt;u&gt;ig&lt;/u&gt;n, ben&lt;u&gt;ig&lt;/u&gt;n, s&lt;u&gt;ig&lt;/u&gt;n&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;əʊ&lt;/b&gt; / &lt;b style=&quot;color:darkgreen;&quot;&gt;oʊ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;O, 0, (zero)<br /> &lt;li&gt;cl&lt;u&gt;o&lt;/u&gt;se, cl&lt;u&gt;othe&lt;/u&gt;s /&lt;span style=&quot;color:darkgreen;&quot;&gt;kləʊ&lt;/span&gt;&lt;span style=&quot;color:grey;&quot;&gt;ð&lt;/span&gt;&lt;span style=&quot;color:darkgreen;&quot;&gt;z&lt;/span&gt;/, ch&lt;u&gt;o&lt;/u&gt;se, ch&lt;u&gt;o&lt;/u&gt;sen&lt;/li&gt;<br /> &lt;li&gt;th&lt;u&gt;ough&lt;/u&gt;, alth&lt;u&gt;ough&lt;/u&gt;, thor&lt;u&gt;ough&lt;/u&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;θɜː&lt;/b&gt; roʊ&lt;/span&gt;/ &lt;sup style=&quot;font-size:9px;&quot;&gt;US&lt;/sup&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;θʌ&lt;/b&gt; rə&lt;/span&gt;/ &lt;sup style=&quot;font-size:9px;&quot;&gt;UK&lt;/sup&gt;, bor&lt;u&gt;ough&lt;/u&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;bɜː&lt;/b&gt; roʊ&lt;/span&gt;/ &lt;sup style=&quot;font-size:9px;&quot;&gt;US&lt;/sup&gt; /&lt;span style=&quot;color:darkgreen;&quot;&gt;&lt;b&gt;bʌ&lt;/b&gt; rə&lt;/span&gt;/ &lt;sup style=&quot;font-size:9px;&quot;&gt;UK&lt;/sup&gt; &lt;/li&gt;<br /> &lt;li&gt;&lt;u&gt;ow&lt;/u&gt;n, gr&lt;u&gt;ow&lt;/u&gt;, kn&lt;u&gt;ow&lt;/u&gt;n, fl&lt;u&gt;ow&lt;/u&gt;n &lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;oa&lt;/u&gt;p, f&lt;u&gt;oa&lt;/u&gt;m&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɑʊ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;1000&lt;/li&gt;<br /> &lt;li&gt;&lt;u&gt;ou&lt;/u&gt;t, ab&lt;u&gt;ou&lt;/u&gt;t, ar&lt;u&gt;ou&lt;/u&gt;nd, ann&lt;u&gt;ou&lt;/u&gt;nce, p&lt;u&gt;ou&lt;/u&gt;nce&lt;/li&gt;<br /> &lt;li&gt;h&lt;u&gt;ow&lt;/u&gt;, n&lt;u&gt;ow&lt;/u&gt;, p&lt;u&gt;ow&lt;/u&gt;er, t&lt;u&gt;ow&lt;/u&gt;er, t&lt;u&gt;ow&lt;/u&gt;n&lt;/li&gt;<br /> <br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɔɪ&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> *n&lt;u&gt;oi&lt;/u&gt;sy, &lt;u&gt;oi&lt;/u&gt;l<br /> *t&lt;u&gt;oy&lt;/u&gt;s, b&lt;u&gt;oy&lt;/u&gt;s<br /> *p&lt;u&gt;oi&lt;/u&gt;gnant /ˈpɔɪnyənt/<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;eə&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;Mostly UK. North American English (NAME) is usually /&lt;span style=&quot;color:darkgreen;&quot;&gt;er&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;th&lt;u&gt;ere&lt;/u&gt;, wh&lt;u&gt;ere&lt;/u&gt;<br /> &lt;li&gt;h&lt;u&gt;air&lt;/u&gt;, p&lt;u&gt;air&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;sh&lt;u&gt;are&lt;/u&gt;, c&lt;u&gt;are&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;h&lt;u&gt;eir&lt;/u&gt;&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ʊə&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;Mostly UK. North American English (NAME) is usually /&lt;span style=&quot;color:darkgreen;&quot;&gt;ʊr&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;p&lt;u&gt;oo&lt;/u&gt;r &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt;, t&lt;u&gt;ou&lt;/u&gt;r (guide)&lt;/li&gt;<br /> &lt;li&gt;s&lt;u&gt;u&lt;/u&gt;re &lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt;, (al)l&lt;u&gt;u&lt;/u&gt;re&lt;/li&gt;<br /> &lt;/ul&gt;<br /> &lt;p&gt;&lt;sup style=&quot;font-size:9px;&quot;&gt;1&lt;/sup&gt; both &quot;poor&quot; and &quot;sure&quot; can be pronounced with &lt;span style=&quot;color:darkgreen;&quot;&gt;ɔː&lt;/span&gt; i.e. &lt;span style=&quot;color:darkgreen;&quot;&gt;ʃɔː&lt;/span&gt;, &lt;span style=&quot;color:darkgreen;&quot;&gt;pɔː&lt;/span&gt;&lt;/p&gt;<br /> <br /> ====&lt;span style=&quot;font-size:14px;&quot;&gt;/&lt;b style=&quot;color:darkgreen;&quot;&gt;ɪə&lt;/b&gt;/&lt;/span&gt;====<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;Mostly UK. North American English (NAME) is usually /&lt;span style=&quot;color:darkgreen;&quot;&gt;ɪr&lt;/span&gt;/&lt;/li&gt;<br /> &lt;li&gt;d&lt;u&gt;ear&lt;/u&gt;, n&lt;u&gt;ear&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;h&lt;u&gt;ere&lt;/u&gt;&lt;/li&gt;<br /> &lt;li&gt;b&lt;u&gt;eer&lt;/u&gt;, p&lt;u&gt;eer&lt;/u&gt;, t&lt;u&gt;ier&lt;/u&gt;&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> ==Consonants==<br /> <br /> &lt;p&gt;Most consonants are paired: at each position one can make two sounds (one voiced, one unvoiced). For example:&lt;/p&gt;<br /> <br /> &lt;div style=&quot;font-size:10px;text-align:center;margin-bottom:14px;&quot;&gt;<br /> {| class=&quot;wikitable&quot;<br /> |-<br /> !<br /> ! &lt;span style=&quot;font-size:14px;color:darkred;&quot;&gt;Voiced&lt;/span&gt;<br /> !<br /> ! &lt;span style=&quot;font-size:14px;color:darkred;&quot;&gt;Unvoiced&lt;/span&gt;<br /> <br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;θ&lt;/span&gt; <br /> | &lt;u&gt;th&lt;/u&gt;ink<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;ð&lt;/span&gt; <br /> |&lt;u&gt;th&lt;/u&gt;at, bro&lt;u&gt;th&lt;/u&gt;er<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;b&lt;/span&gt; <br /> | &lt;u&gt;b&lt;/u&gt;ig<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;p&lt;/span&gt; <br /> |&lt;u&gt;p&lt;/u&gt;ig<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;v&lt;/span&gt; <br /> | e&lt;u&gt;v&lt;/u&gt;en Ste&lt;u&gt;ph&lt;/u&gt;en<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;f&lt;/span&gt; <br /> | enou&lt;u&gt;gh&lt;/u&gt; &lt;u&gt;ph&lt;/u&gt;onetics<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;d&lt;/span&gt; <br /> | stew&lt;u&gt;ed&lt;/u&gt;<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;t&lt;/span&gt;<br /> | cook&lt;u&gt;ed&lt;/u&gt;<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;z&lt;/span&gt; <br /> | read&lt;u&gt;s&lt;/u&gt;<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;s&lt;/span&gt; <br /> | write&lt;u&gt;s&lt;/u&gt;<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;ʒ&lt;/span&gt; <br /> | plea&lt;u&gt;s&lt;/u&gt;ure<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;ʃ&lt;/span&gt; <br /> | &lt;u&gt;s&lt;/u&gt;ure<br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;dʒ&lt;/span&gt; <br /> | ba&lt;u&gt;dg&lt;/u&gt;e, &lt;u&gt;j&lt;/u&gt;oke<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;tʃ&lt;/span&gt; <br /> | ba&lt;u&gt;tch&lt;/u&gt;, &lt;u&gt;ch&lt;/u&gt;oke <br /> |-<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;g&lt;/span&gt; <br /> | a&lt;u&gt;g&lt;/u&gt;ree<br /> | &lt;span style=&quot;font-size:14px;color:darkgreen;font-weight:bold;&quot;&gt;k&lt;/span&gt; <br /> |&lt;u&gt;c&lt;/u&gt;a&lt;u&gt;k&lt;/u&gt;e, se&lt;u&gt;c&lt;/u&gt;ond(s), &lt;u&gt;ch&lt;/u&gt;emistry <br /> <br /> |}<br /> &lt;/div&gt;<br /> <br /> &lt;ul&gt;<br /> &lt;li&gt;Nasal consonants &amp;mdash; &lt;span style=&quot;color:darkgreen;font-weight:bold;&quot;&gt;m, n, ŋ&lt;/span&gt; &amp;mdash; liquids &amp;mdash;&lt;span style=&quot;color:darkgreen;font-weight:bold;&quot;&gt;r, l&lt;/span&gt; &amp;mdash; and glides &amp;mdash; &lt;span style=&quot;color:darkgreen;font-weight:bold;&quot;&gt;w, j&lt;/span&gt; (&lt;u&gt;wh&lt;/u&gt;y, &lt;u&gt;y&lt;/u&gt;ellow) &amp;mdash; are all &lt;b&gt;voiced&lt;/b&gt;.&lt;/li&gt;<br /> &lt;li&gt;&lt;b&gt;Syllabic &lt;span style=&quot;color:darkgreen;font-weight:bold;&quot;&gt;n&lt;/span&gt; and &lt;span style=&quot;color:darkgreen;font-weight:bold;&quot;&gt;l&lt;/span&gt;&lt;/b&gt; are roughly equivalent to /&lt;span style=&quot;color:darkgreen;&quot;&gt;ən&lt;/span&gt;/, /&lt;span style=&quot;color:darkgreen;&quot;&gt;əl&lt;/span&gt;/. (fash&lt;u&gt;ion&lt;/u&gt;, bott&lt;u&gt;le&lt;/u&gt;)&lt;/li&gt;<br /> &lt;/ul&gt;<br /> <br /> :A &quot;flap&quot; /&lt;span style=&quot;font-weight:bold;color:#060;&quot;&gt;ɾ&lt;/span&gt;/ or /&lt;span style=&quot;font-weight:bold;color:#060;&quot;&gt;t̮&lt;/span&gt;/ is often used for intervocalic &quot;t&quot; after a stressed syllable outside of England (Australia, NZ, US, ...). The sound is made in the same place as the /&lt;span style=&quot;font-weight:bold;color:#060;&quot;&gt;d&lt;/span&gt;/ but with a quicker flap of the tongue (hence the name). It is voiced. <br /> :*battle &lt;span style=&quot;font-size:80%;color:#060;&quot;&gt;ˈbæt̮l&lt;/span&gt;, butter &lt;span style=&quot;font-size:80%;color:#060;&quot;&gt;bʌt̮ər&lt;/span&gt;, bottle &lt;span style=&quot;font-size:80%;color:#060;&quot;&gt;ˈbɑt̮l&lt;/span&gt;, subtle &lt;span style=&quot;font-size:80%;color:#060;&quot;&gt;ˈsʌt̮l&lt;/span&gt;, better &lt;span style=&quot;font-size:80%;color:#060;&quot;&gt;ˈbɛt̮ər&lt;/span&gt;...<br /> <br /> ==Accents of North American English==<br /> <br /> :Part I<br /> ;&lt;html5media&gt;https://www.youtube.com/watch?v=H1KP4ztKK0A&lt;/html5media&gt;<br /> :Part II<br /> ;&lt;html5media&gt;https://www.youtube.com/watch?v=IsE_8j5RL3k&lt;/html5media&gt;<br /> :Part III<br /> ;&lt;html5media&gt;https://www.youtube.com/watch?v=Sw7pL7OkKEE&lt;/html5media&gt;<br /> <br /> ==Accents of English==<br /> :Some comparisons <br /> ;&lt;html5media&gt;https://www.youtube.com/watch?v=XKuPfZpzEHg&lt;/html5media&gt;</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jes%27_grew&diff=9565 2023-01-20T18:33:22Z

<p>WikiSysop: </p> <hr /> <div>This wiki needs a jazz page. It will very likely grow. The name of this page is taken from Oakland-based Ishmael Reed's 1972, ''Mumbo Jumbo'', which conjures &quot;a centuries-old battle between two shadow forces: a group representing European institutional order and Jes Grew, a virus/movement/pleasure-seeking principle originating among black artists.&quot;&lt;ref&gt;Nawal Arjini (3 June 2019), &quot;[https://www.thenation.com/article/archive/ishmael-reed-haunting-of-lin-manuel-miranda-hamilton-play-review/ Ishmael Reed Tries to Undo the Damage ‘Hamilton’ Has Wrought]&quot;, ''The Nation''.&lt;/ref&gt; <br /> <br /> *What do you think that this Jes Grew is up to?<br /> *It’s up to its Text. For some, it’s a disease, a plague, but in fact it is an anti-plague. You will recall, Black Herman, that in the past there were germs that avoided words.&lt;ref&gt;Ishmael Reed, ''Mumbo Jumbo'', 1972.&lt;/ref&gt; <br /> <br /> After starting the page, I learned of Conjure's &quot;[https://www.deezer.com/en/album/6286068 Jes' Grew]&quot; and that Jazz is Dead ([https://www.youtube.com/watch?v=E-2yje6S8vg §], [https://en.wikipedia.org/wiki/Jazz_Is_Dead_(record_label) §]).<br /> <br /> ==Growing Season 2021==<br /> ===Creative master plan===<br /> ;Pharaoh Sanders, ''Karma'', &quot;The Creator Has a Master Plan&quot;, 1969.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=QZ6lB7FKxi8&lt;/html5media&gt;<br /> ::In the &lt;abbr title=&quot;Brooklyn Funk Essentials&quot;&gt;BFE&lt;/abbr&gt; 1995 version you still hear the ''Armistad''. <br /> ::&lt;html5media&gt;https://www.youtube.com/watch?v=bkVLS6muw1k&lt;/html5media&gt;<br /> ::as you do in the Roman theatre in Vienne (2011) <br /> ::&lt;html5media&gt;https://www.youtube.com/watch?v=AhO2qDhiH1s&lt;/html5media&gt;<br /> :::&quot;Jump Around Sound&quot;, Budapest (2008)<br /> :::&lt;html5media&gt;https://www.youtube.com/watch?v=llHVOFexLrY&lt;/html5media&gt;<br /> &lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3149089081/size=large/bgcol=ffffff/linkcol=63b2cc/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://floatingpoints.bandcamp.com/album/promises&quot;&gt;Promises by Floating Points, Pharoah Sanders &amp;amp; The London Symphony Orchestra&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> :&lt;span style=&quot;font-size:85%;color:#888;&quot;&gt;Note: People are speaking of these promised movements in hushed, even churchy tones&lt;/span&gt; &lt;span style=&quot;font-size:85%;color:#025;&quot;&gt;:o&lt;/span&gt;&lt;span style=&quot;font-size:85%;color:#502;&quot;&gt;.&lt;/span&gt;&lt;span style=&quot;font-size:85%;color:#052;&quot;&gt;o:&lt;/span&gt; &lt;ref&gt;Rafe Arnott (20 Mar 2021), [https://resistormag.com/news/promises-the-floating-points-pharoah-sanders-lso-album/ Promises: The Floating Points Pharaoh Sanders LSO album], ''resistormag''.&lt;/ref&gt;<br /> <br /> ===New Maps===<br /> ;Tigran Hamasyan, ''New Maps'', 2020 <br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=mo7miuAHBbo&lt;/html5media&gt;<br /> :video -- made from images shot in Armenia, the US, Russia, and the UK -- directed by Vahan Stepanyan<br /> <br /> <br /> ===Jockey Full o Bourbon===<br /> ;Tom Waits<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=9vEBPYfy1GM&lt;/html5media&gt;<br /> ;Youn Sun Nah &amp; Ulf Wakenius<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=cmimLCOL5Y0&lt;/html5media&gt;<br /> <br /> ===Psysco Kid!===<br /> ;YIN YIN, ''The Rabbit that Hunts Tigers'', 2019.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=oQq3Jwz0bDQ&lt;/html5media&gt;<br /> <br /> ===Tallinn (!)Jazz===<br /> ;Collage, ''Collage'', 1976.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=ThefuJjruro&lt;/html5media&gt;<br /> ::Thanks, Smiley. :)<br /> <br /> ===Tangelo!===<br /> ;Wolfgang Haffner, ''Kind of Tango'', 2020.<br /> :&lt;html5media&gt;https://www.youtube.com/watchv=eVsHkeHMLxI&lt;/html5media&gt;<br /> ::Wolfgang Haffner (d.), Christopher Dell (vib.), Sebastian Studnitzky (trpt.), Bill Evans (sax) Simon Oslender (p.), Ulf Wakenius (g.), Vincent Peirani (acc.), Lars Danielsson (b., cell., flug.).<br /> <br /> ===Lyon===<br /> ;The Very Big Experimental Toubifri Orchestra, ''Dieu Poulet'', 2021.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3876226004/size=large/bgcol=ffffff/linkcol=63b2cc/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://theverybigexperimentaltoubifriorchestra.bandcamp.com/album/dieu-poulet&quot;&gt;Dieu Poulet by The Very Big Experimental Toubifri Orchestra&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> ::an 18-piece band from Lyon that's a lot of fun.&lt;ref&gt;Antoine Bos (7 Apr 2021), [https://www.le-grigri.com/blog/2021/4/6/premiere-dieu-poulet-the-very-big-experimental-toubifri-orchestra-est-divin &quot;Dieu Poulet&quot; : The Very Big Experimental Toubifri Orchestra est divin], le gri gri.&lt;/ref&gt;<br /> <br /> ===Cologne===<br /> ;Muito Kaballa Power Ensemble, ''Mamari'', 2021.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3524060861/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://muitokaballa.bandcamp.com/album/mamari&quot;&gt;Mamari by Muito Kaballa&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ===San Francisco===<br /> ;Jerry Garcia, David Grisman, Live in San Francisco, 1991.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=KzHMxfbF-cI&lt;/html5media&gt;<br /> :h/t El Comandante [https://youtu.be/KzHMxfbF-cI?t=2835 @ 47:15].<br /> <br /> ===Tokyo===<br /> ;Jun Fukamachi, ''Quark'', 1980.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=hRZch8wSeII&lt;/html5media&gt;<br /> ::See also, ''Nicole (1986 Spring and Summer collection)'' @ bandcamp&lt;ref&gt;Aaron Carnes (24 Aug 2018), &quot;[https://daily.bandcamp.com/features/jun-fukamachi-feature How Jun Fukamachi Became a Cult Figure in Japanese Ambient Music]&quot;, ''Bandcamp Daily''.&lt;/ref&gt; <br /> ::(I think I prefer the phrog.)<br /> <br /> ==Growing season 2022==<br /> ===Lahore===<br /> ;Jaubi, ''Nefs at Peace'', 2021.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2293961361/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://jaubi.bandcamp.com/album/nafs-at-peace&quot;&gt;Nafs at Peace by Jaubi&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ===Istanbul===<br /> ;Önder Focan - ''Aubergine / Patlican'', 2022.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=lKqCgJ-EDrM&lt;/html5media&gt;<br /> ;Anadol, ''Felicita'', 2022.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=762300559/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://anadol.bandcamp.com/album/felicita&quot;&gt;Felicita by Anadol&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> :;Anadol, ''Uzun Havalar'', 2019.<br /> ::&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=1613331052/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://anadol.bandcamp.com/album/uzun-havalar&quot;&gt;Uzun Havalar by Anadol&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ===Benin / Abidjan / Paris / Boston ===<br /> ;Lionel Loueke, ''HH'', 2020.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=4068401550/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://lionelloueke.bandcamp.com/album/hh&quot;&gt;HH by Lionel Loueke&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> :;Herbie Hancock &amp; Bernie Maupin, &quot;Butterfly&quot;, ''Thrust'', 1974.<br /> ::&lt;html5media&gt;https://www.youtube.com/watch?v=-_mSzscIhyg&lt;/html5media&gt;<br /> <br /> ===RIP Pharaoh Sanders 🕯===<br /> &quot;Across Time&quot;, ''with a heart'', 2003. <br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=glbKXfvFfCQ&lt;/html5media&gt;<br /> ===Chicago===<br /> ;Kahlil El Zabar, ''A Time for Healing'', 2021.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3564358081/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://kahilelzabar-is.bandcamp.com/album/a-time-for-healing&quot;&gt;A Time For Healing by Kahil El&amp;#39;Zabar Quartet&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ===London===<br /> ;Nina Sinephro, ''Space 1.8'', 2021.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2464006717/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://nalasinephro.bandcamp.com/album/space-18&quot;&gt;Space 1.8 by Nala Sinephro&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> ;John Mayer [https://en.wikipedia.org/wiki/John_Mayer_(composer) §], ''Dhammapada'', 1976.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=SAGReJ7JbSs&lt;/html5media&gt;<br /> ;Transglobal Underground, &quot;Lookee Here&quot;, 1994.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=A31sYLuGlIA&lt;/html5media&gt;<br /> :HNY2 WPO, &amp;2 en.wp<br /> <br /> ===New York===<br /> ;Theo Croker, &quot;No More Maybe&quot; with Iman Omari, ''BLK2THEFUTURE'', 2021<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=J5LvZDWax0g&lt;/html5media&gt;<br /> :;---, &quot;State of the Union 444&quot; with Wyclef Jean on prime-time TV, 2022<br /> ::&lt;html5media&gt;https://www.youtube.com/watch?v=jQHevVAqQ2A&lt;/html5media&gt;<br /> ;Mary Halvorson, ''[https://fr.wikipedia.org/w/index.php?title=Amaryllis_belladonna&amp;diff=199677763&amp;oldid=197777001&amp;diffmode=source Amaryllis / Beladonna]'', the latter with the Mivos Quartet, 2022.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3770906755/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://maryhalvorson.bandcamp.com/album/amaryllis&quot;&gt;Amaryllis by Mary Halvorson&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3467070458/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://maryhalvorson.bandcamp.com/album/belladonna&quot;&gt;Belladonna by Mary Halvorson&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ===Warsaw + Copenhagen + ===<br /> ;Tomaze Dąbrowski &amp; the Individual Beings<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2084853145/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://tomaszdabrowski.bandcamp.com/album/tomasz-d-browski-the-individual-beings&quot;&gt;Tomasz Dąbrowski &amp;amp; The Individual Beings by Tomasz Dąbrowski&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ::Album made for the late &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Tomasz Stańko'''&lt;/span&gt; [https://www.wikidata.org/wiki/Q385488 wd], whose horn Dąbrowski plays exceedingly well. His is only one voice among many on this disquieting wander through electric marshlands. Worth its eclectic stars on the web and the headache it might give you. :P <br /> <br /> ::&lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Tomasz Dąbrowski'''&lt;/span&gt; [https://www.wikidata.org/wiki/Q48688020 wd]– Trumpet and Electronics | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Fredrik Lundin'''&lt;/span&gt; [https://www.wikidata.org/wiki/Q366119 wd] (the Dane) – Tenor Saxophone | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Irek Wojtczak '''&lt;/span&gt; [https://www.wikidata.org/wiki/Q11713706 wd]– Tenor and Soprano Saxophone plus Electronics | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Grzegorz Tarwid'''&lt;/span&gt; [https://www.wikidata.org/wiki/Q112789323 wd]– Grand Piano and Keyboards | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Max Mucha'''&lt;/span&gt; [https://www.wikidata.org/wiki/Q99688556 wd]– Double Bass | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Knut Finsrud'''&lt;/span&gt; (The Norwegian) – Acoustic Drums | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Jan Emil Młynarski'''&lt;/span&gt; – Electric and Acoustic Drums<br /> <br /> ===!jazz===<br /> :Tiken Jah Fakoly, &quot;[https://youtu.be/wA6KGRKzeOc?t=5940 Partager le monde]&quot;, Cabaret Sauvage, Paris, 12 décembre 2022<br /> <br /> ==Previous issues==<br /> *[[Jes' grew (fall 2020)|fall 2020]]<br /> *[[Jes' grew (summer 2020)|summer 2020]]<br /> *[[Jes 'grew (winter 2020)|winter 2020]]<br /> <br /> ==Refs==<br /> <br /> <br /> <br /> [[Category:Music]] [[Category:JesGrew]]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Jes%27_grew&diff=9564 2023-01-20T18:33:00Z

<p>WikiSysop: </p> <hr /> <div>This wiki needs a jazz page. It will very likely grow. The name of this page is taken from Oakland-based Ishmael Reed's 1972, ''Mumbo Jumbo'', which conjures &quot;a centuries-old battle between two shadow forces: a group representing European institutional order and Jes Grew, a virus/movement/pleasure-seeking principle originating among black artists.&quot;&lt;ref&gt;Nawal Arjini (3 June 2019), &quot;[https://www.thenation.com/article/archive/ishmael-reed-haunting-of-lin-manuel-miranda-hamilton-play-review/ Ishmael Reed Tries to Undo the Damage ‘Hamilton’ Has Wrought]&quot;, ''The Nation''.&lt;/ref&gt; <br /> <br /> *What do you think that this Jes Grew is up to?<br /> *It’s up to its Text. For some, it’s a disease, a plague, but in fact it is an anti-plague. You will recall, Black Herman, that in the past there were germs that avoided words.&lt;ref&gt;Ishmael Reed, ''Mumbo Jumbo'', 1972.&lt;/ref&gt; <br /> <br /> After starting the page, I learned of Conjure's &quot;[https://www.deezer.com/en/album/6286068 Jes' Grew]&quot; and that Jazz is Dead ([https://www.youtube.com/watch?v=E-2yje6S8vg §], [url=https://en.wikipedia.org/wiki/Jazz_Is_Dead_(record_label) §]).<br /> <br /> ==Growing Season 2021==<br /> ===Creative master plan===<br /> ;Pharaoh Sanders, ''Karma'', &quot;The Creator Has a Master Plan&quot;, 1969.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=QZ6lB7FKxi8&lt;/html5media&gt;<br /> ::In the &lt;abbr title=&quot;Brooklyn Funk Essentials&quot;&gt;BFE&lt;/abbr&gt; 1995 version you still hear the ''Armistad''. <br /> ::&lt;html5media&gt;https://www.youtube.com/watch?v=bkVLS6muw1k&lt;/html5media&gt;<br /> ::as you do in the Roman theatre in Vienne (2011) <br /> ::&lt;html5media&gt;https://www.youtube.com/watch?v=AhO2qDhiH1s&lt;/html5media&gt;<br /> :::&quot;Jump Around Sound&quot;, Budapest (2008)<br /> :::&lt;html5media&gt;https://www.youtube.com/watch?v=llHVOFexLrY&lt;/html5media&gt;<br /> &lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3149089081/size=large/bgcol=ffffff/linkcol=63b2cc/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://floatingpoints.bandcamp.com/album/promises&quot;&gt;Promises by Floating Points, Pharoah Sanders &amp;amp; The London Symphony Orchestra&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> :&lt;span style=&quot;font-size:85%;color:#888;&quot;&gt;Note: People are speaking of these promised movements in hushed, even churchy tones&lt;/span&gt; &lt;span style=&quot;font-size:85%;color:#025;&quot;&gt;:o&lt;/span&gt;&lt;span style=&quot;font-size:85%;color:#502;&quot;&gt;.&lt;/span&gt;&lt;span style=&quot;font-size:85%;color:#052;&quot;&gt;o:&lt;/span&gt; &lt;ref&gt;Rafe Arnott (20 Mar 2021), [https://resistormag.com/news/promises-the-floating-points-pharoah-sanders-lso-album/ Promises: The Floating Points Pharaoh Sanders LSO album], ''resistormag''.&lt;/ref&gt;<br /> <br /> ===New Maps===<br /> ;Tigran Hamasyan, ''New Maps'', 2020 <br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=mo7miuAHBbo&lt;/html5media&gt;<br /> :video -- made from images shot in Armenia, the US, Russia, and the UK -- directed by Vahan Stepanyan<br /> <br /> <br /> ===Jockey Full o Bourbon===<br /> ;Tom Waits<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=9vEBPYfy1GM&lt;/html5media&gt;<br /> ;Youn Sun Nah &amp; Ulf Wakenius<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=cmimLCOL5Y0&lt;/html5media&gt;<br /> <br /> ===Psysco Kid!===<br /> ;YIN YIN, ''The Rabbit that Hunts Tigers'', 2019.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=oQq3Jwz0bDQ&lt;/html5media&gt;<br /> <br /> ===Tallinn (!)Jazz===<br /> ;Collage, ''Collage'', 1976.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=ThefuJjruro&lt;/html5media&gt;<br /> ::Thanks, Smiley. :)<br /> <br /> ===Tangelo!===<br /> ;Wolfgang Haffner, ''Kind of Tango'', 2020.<br /> :&lt;html5media&gt;https://www.youtube.com/watchv=eVsHkeHMLxI&lt;/html5media&gt;<br /> ::Wolfgang Haffner (d.), Christopher Dell (vib.), Sebastian Studnitzky (trpt.), Bill Evans (sax) Simon Oslender (p.), Ulf Wakenius (g.), Vincent Peirani (acc.), Lars Danielsson (b., cell., flug.).<br /> <br /> ===Lyon===<br /> ;The Very Big Experimental Toubifri Orchestra, ''Dieu Poulet'', 2021.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3876226004/size=large/bgcol=ffffff/linkcol=63b2cc/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://theverybigexperimentaltoubifriorchestra.bandcamp.com/album/dieu-poulet&quot;&gt;Dieu Poulet by The Very Big Experimental Toubifri Orchestra&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> ::an 18-piece band from Lyon that's a lot of fun.&lt;ref&gt;Antoine Bos (7 Apr 2021), [https://www.le-grigri.com/blog/2021/4/6/premiere-dieu-poulet-the-very-big-experimental-toubifri-orchestra-est-divin &quot;Dieu Poulet&quot; : The Very Big Experimental Toubifri Orchestra est divin], le gri gri.&lt;/ref&gt;<br /> <br /> ===Cologne===<br /> ;Muito Kaballa Power Ensemble, ''Mamari'', 2021.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3524060861/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://muitokaballa.bandcamp.com/album/mamari&quot;&gt;Mamari by Muito Kaballa&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ===San Francisco===<br /> ;Jerry Garcia, David Grisman, Live in San Francisco, 1991.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=KzHMxfbF-cI&lt;/html5media&gt;<br /> :h/t El Comandante [https://youtu.be/KzHMxfbF-cI?t=2835 @ 47:15].<br /> <br /> ===Tokyo===<br /> ;Jun Fukamachi, ''Quark'', 1980.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=hRZch8wSeII&lt;/html5media&gt;<br /> ::See also, ''Nicole (1986 Spring and Summer collection)'' @ bandcamp&lt;ref&gt;Aaron Carnes (24 Aug 2018), &quot;[https://daily.bandcamp.com/features/jun-fukamachi-feature How Jun Fukamachi Became a Cult Figure in Japanese Ambient Music]&quot;, ''Bandcamp Daily''.&lt;/ref&gt; <br /> ::(I think I prefer the phrog.)<br /> <br /> ==Growing season 2022==<br /> ===Lahore===<br /> ;Jaubi, ''Nefs at Peace'', 2021.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2293961361/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://jaubi.bandcamp.com/album/nafs-at-peace&quot;&gt;Nafs at Peace by Jaubi&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ===Istanbul===<br /> ;Önder Focan - ''Aubergine / Patlican'', 2022.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=lKqCgJ-EDrM&lt;/html5media&gt;<br /> ;Anadol, ''Felicita'', 2022.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=762300559/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://anadol.bandcamp.com/album/felicita&quot;&gt;Felicita by Anadol&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> :;Anadol, ''Uzun Havalar'', 2019.<br /> ::&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=1613331052/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://anadol.bandcamp.com/album/uzun-havalar&quot;&gt;Uzun Havalar by Anadol&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ===Benin / Abidjan / Paris / Boston ===<br /> ;Lionel Loueke, ''HH'', 2020.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=4068401550/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://lionelloueke.bandcamp.com/album/hh&quot;&gt;HH by Lionel Loueke&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> :;Herbie Hancock &amp; Bernie Maupin, &quot;Butterfly&quot;, ''Thrust'', 1974.<br /> ::&lt;html5media&gt;https://www.youtube.com/watch?v=-_mSzscIhyg&lt;/html5media&gt;<br /> <br /> ===RIP Pharaoh Sanders 🕯===<br /> &quot;Across Time&quot;, ''with a heart'', 2003. <br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=glbKXfvFfCQ&lt;/html5media&gt;<br /> ===Chicago===<br /> ;Kahlil El Zabar, ''A Time for Healing'', 2021.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3564358081/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://kahilelzabar-is.bandcamp.com/album/a-time-for-healing&quot;&gt;A Time For Healing by Kahil El&amp;#39;Zabar Quartet&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ===London===<br /> ;Nina Sinephro, ''Space 1.8'', 2021.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2464006717/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://nalasinephro.bandcamp.com/album/space-18&quot;&gt;Space 1.8 by Nala Sinephro&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> ;John Mayer [https://en.wikipedia.org/wiki/John_Mayer_(composer) §], ''Dhammapada'', 1976.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=SAGReJ7JbSs&lt;/html5media&gt;<br /> ;Transglobal Underground, &quot;Lookee Here&quot;, 1994.<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=A31sYLuGlIA&lt;/html5media&gt;<br /> :HNY2 WPO, &amp;2 en.wp<br /> <br /> ===New York===<br /> ;Theo Croker, &quot;No More Maybe&quot; with Iman Omari, ''BLK2THEFUTURE'', 2021<br /> :&lt;html5media&gt;https://www.youtube.com/watch?v=J5LvZDWax0g&lt;/html5media&gt;<br /> :;---, &quot;State of the Union 444&quot; with Wyclef Jean on prime-time TV, 2022<br /> ::&lt;html5media&gt;https://www.youtube.com/watch?v=jQHevVAqQ2A&lt;/html5media&gt;<br /> ;Mary Halvorson, ''[https://fr.wikipedia.org/w/index.php?title=Amaryllis_belladonna&amp;diff=199677763&amp;oldid=197777001&amp;diffmode=source Amaryllis / Beladonna]'', the latter with the Mivos Quartet, 2022.<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3770906755/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://maryhalvorson.bandcamp.com/album/amaryllis&quot;&gt;Amaryllis by Mary Halvorson&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3467070458/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://maryhalvorson.bandcamp.com/album/belladonna&quot;&gt;Belladonna by Mary Halvorson&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ===Warsaw + Copenhagen + ===<br /> ;Tomaze Dąbrowski &amp; the Individual Beings<br /> :&lt;html&gt;&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2084853145/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://tomaszdabrowski.bandcamp.com/album/tomasz-d-browski-the-individual-beings&quot;&gt;Tomasz Dąbrowski &amp;amp; The Individual Beings by Tomasz Dąbrowski&lt;/a&gt;&lt;/iframe&gt;&lt;/html&gt;<br /> <br /> ::Album made for the late &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Tomasz Stańko'''&lt;/span&gt; [https://www.wikidata.org/wiki/Q385488 wd], whose horn Dąbrowski plays exceedingly well. His is only one voice among many on this disquieting wander through electric marshlands. Worth its eclectic stars on the web and the headache it might give you. :P <br /> <br /> ::&lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Tomasz Dąbrowski'''&lt;/span&gt; [https://www.wikidata.org/wiki/Q48688020 wd]– Trumpet and Electronics | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Fredrik Lundin'''&lt;/span&gt; [https://www.wikidata.org/wiki/Q366119 wd] (the Dane) – Tenor Saxophone | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Irek Wojtczak '''&lt;/span&gt; [https://www.wikidata.org/wiki/Q11713706 wd]– Tenor and Soprano Saxophone plus Electronics | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Grzegorz Tarwid'''&lt;/span&gt; [https://www.wikidata.org/wiki/Q112789323 wd]– Grand Piano and Keyboards | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Max Mucha'''&lt;/span&gt; [https://www.wikidata.org/wiki/Q99688556 wd]– Double Bass | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Knut Finsrud'''&lt;/span&gt; (The Norwegian) – Acoustic Drums | &lt;span style=&quot;font-variant:small-caps;&quot;&gt;'''Jan Emil Młynarski'''&lt;/span&gt; – Electric and Acoustic Drums<br /> <br /> ===!jazz===<br /> :Tiken Jah Fakoly, &quot;[https://youtu.be/wA6KGRKzeOc?t=5940 Partager le monde]&quot;, Cabaret Sauvage, Paris, 12 décembre 2022<br /> <br /> ==Previous issues==<br /> *[[Jes' grew (fall 2020)|fall 2020]]<br /> *[[Jes' grew (summer 2020)|summer 2020]]<br /> *[[Jes 'grew (winter 2020)|winter 2020]]<br /> <br /> ==Refs==<br /> <br /> <br /> <br /> [[Category:Music]] [[Category:JesGrew]]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Humour&diff=9487 2022-02-27T21:43:28Z

<p>WikiSysop: </p> <hr /> <div>*When you run [https://twitter.com/ng_ukraine/status/1498032680360984577 out of gas] in the middle of Ukraine.</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Humour&diff=9486 2022-02-27T21:40:45Z

<p>WikiSysop: Created page with &quot;*[https://twitter.com/ng_ukraine/status/1498032680360984577 out of gas]&quot;</p> <hr /> <div>*[https://twitter.com/ng_ukraine/status/1498032680360984577 out of gas]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=Category:Temple_de_Cyb%C3%A8le&diff=9376 2021-05-17T13:01:53Z

<p>WikiSysop: Created blank page</p> <hr /> <div></div>

WikiSysop http://ling.creoliste.fr/index.php?title=File:Jardin_arch%C3%A9ologique_de_Cyb%C3%A8le.jpg&diff=9375 2021-05-17T13:01:22Z

<p>WikiSysop: </p> <hr /> <div>[[Category:Isère]]<br /> [[Category:Vienne]]<br /> [[Category:Public Park]]<br /> [[Category:Temple de Cybèle]]<br /> [[Category:Place du Pilori]]<br /> [[Category:Spring]]<br /> [[Category:Tree]]</div>

WikiSysop http://ling.creoliste.fr/index.php?title=File:Jardin_arch%C3%A9ologique_de_Cyb%C3%A8le.jpg&diff=9374 2021-05-17T12:58:52Z

<p>WikiSysop: Created page with &quot;Category:Isère Category:Vienne Category:Public Park Category:Temple de Cybèle Category:Spring Category:Tree&quot;</p> <hr /> <div>[[Category:Isère]]<br /> [[Category:Vienne]]<br /> [[Category:Public Park]]<br /> [[Category:Temple de Cybèle]]<br /> [[Category:Spring]]<br /> [[Category:Tree]]</div>

WikiSysop